A Quote by Emmanuel des Essarts

Make an amiable intermediary of an egg, which comes between the various parts of food to bring about difficult reconciliations. — © Emmanuel des Essarts
Make an amiable intermediary of an egg, which comes between the various parts of food to bring about difficult reconciliations.
Modern physics has taught us that the nature of any system cannot be discovered by dividing it into its component parts and studying each part by itself... We must keep our attention fixed on the whole and on the interconnection between the parts. The same is true of our intellectual life. It is impossible to make a clear cut between science, religion, and art. The whole is never equal simply to the sum of its various parts.
You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale - definitely.
You cannot make a social-consciou s picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale - definitely.
But since the brain, as well as the cerebellum, is composed of many parts, variously figured, it is possible, that nature, which never works in vain, has destined those parts to various uses, so that the various faculties of the mind seem to require different portions of the cerebrum and cerebellum for their production.
The tool which serves as intermediary between theory and practice, between thought and observation, is mathematics; it is mathematics which builds the linking bridges and gives the ever more reliable forms.
It is impossible to make a clear cut between science, religion, and art. The whole is never equal simply to the sum of its various parts.
I find it very difficult to see the boundary between womenswear and menswear. It's bizarre the ways in which society reacts; they find it difficult to comprehend seeing parts of the body on a man. I think it's fascinating.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
It's stylish to have people over. But unstylish to make them bring food. It's so tacky, making everybody appear at the door with a dish. Better to order in, use a caterer or bring prepared food into your kitchen.
Often when we talk about food and food policy, it is thinking about hunger and food access through food pantries and food banks, all of which are extremely important.
But this is a remarkable egg, an egg worth talking about, an egg worth crossing the street for, an egg worth writing about.
Continual improvisation on a theme is a more useful way to think of how to bring the various parts of life together.
I like to look at the interface between words and pictures and wonder about which comes first, a sort of chicken-or-egg type of question.
Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg.
Whether it's in health and education, or the quality of local infrastructure, there's no doubt that a chasm exists between various parts of the U.K.
Over the decades, you got various companies involved in making escalators and you've got Metro varying between internal repair crews and contractors. They're dealing with old equipment, which of course is prone to break down, and the repair crews don't even know what's busted or who made the busted parts till they tear the things open. Then sometimes they have to go back to the shop and manufacture parts, because the original maker has gone out of business.
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