A Quote by Emmanuel Jal
When I was in south Sudan, people used to rap in my village. But the rapping was more in the mother tongue, Nuer.
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The south really wants Abyei; they have a core constituency who reside in the area who believe that Abyei belongs to the south. There are a number of those sons of Abyei in high positions of government in South Sudan, so it's pretty hard for South Sudan to just walk away.
My own country, Slovakia, has been there for South Sudan and its people. We made South Sudan a priority country of our official development assistance and humanitarian aid.
There was this hip-hop collective called People Crew. And at the time in Korea, there was no real place to access rap music. So People Crew used to host this summer school program, which taught rapping and dancing. I begged my mom to attend that school to learn how to rap.
I fought for years in South Sudan for the unity of Sudan. I was a commander in the fields, fighting for the unity of Sudan.
Race is not the only differential in South Africa, in the new South Africa, where all schools are open, mother-tongue education is a very big issue. One of the main reasons why the dropout figure of black students, and the lower pass rate of black students in the present education system, and it was like that before, was that we didn't have mother-tongue education.
Building confidence and constructive relations between Sudan and South Sudan is urgent
When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.
I used to be the class clown. I was the funny kid. That's why it was so hard for people to understand that I rap, because for a long time, they didn't take me seriously for who I was. By, like, eighth grade, I was really rapping.
I'm thinking of the kids of the next generation and the music that they need to hear. Before, I was just rapping to rap. Now, I'm rapping to change the world.
I try not to cover Sudan from afar. I feel really uncomfortable writing about Sudan when I'm not there. It always looks different. When you're outside Sudan it's easy to lose sight of how much of what happens is driven by local politics. And when you're in America in particular, there's this sense that what D.C. has to say is the only thing that counts. Unsurprisingly people in Sudan don't feel the same way.
There's been people who've rapped and produced - like Kanye - but I don't feel like on the rapping side there's ever been a producer who can rap as good as I think I can rap.
I thought that God and rap would never work. I thought that God wasn't okay with rap. People knew I used to rap, and I went to the Bible studies. Someone said, 'Hey, you should rap about Jesus.'
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
I'm always gonna rap. Rapping's what I started doing, I even sang when I first started rapping, when I couldn't really sing at all but I always tried.
I don't know anywhere where the people are hungrier for education than South Sudan.
The international community has to overcome its differences and find solutions to the conflicts of today in South Sudan, Syria, Central African Republic and elsewhere. Non-traditional donors need to step up alongside traditional donors. As many people are forcibly displaced today as the entire populations of medium-to-large countries such as Colombia or Spain, South Africa or South Korea.
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