A Quote by Emmanuelle Beart
In Hollywood there's no real material. They would send me stuff, but I hadn't even seen the director. If I don't see the director's eyes, I'm not going. I'm not even going to pack my bags.
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I'm not the Hollywood type. I'm not going to pack up my bags and let me move to Hollywood and stuff like that.
I never know going in if I've even got a movie to make. Once you start making a film, you hope there's going to be enough material! My job as a director is always to push for more.
I've always laughed at the term "female director" or even "black director." A director's a director.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.
It never occurred to me to be a film director, partly because I hadn't seen a single film by a female director, but I liked the idea of being a writer moving to Hollywood and being unhappy; that sounded romantic and fabulous to me.
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
I was concerned about who he would put in there as FBI director because he had expressed antipathy for the FBI, for the director. I was going to stay there and make sure that he couldn't replace me.
You have to be very flexible and understand as a director, especially as a writer/director, that you cannot hang onto stuff really hard. You have to be ready to accept those happy accidents and to anticipate that they are going to happen and capitalize on them.
I'm certainly not going to tell other people what they should do with their own personal lives. I think it's certainly easier for a director to be out. The public is not going to see a movie because the director is gay or straight. It's maybe a little harder for an actor or actress because of, you know, the love roles and stuff. But gay people have been impersonating heteros in the movies for years. So, hopefully, that is becoming less of an issue. I think it would have been really great if a gay person had played a gay person. That's brave!
My own eyes are not enough for me...I will see through the eyes of others. Reality, even seen through the eyes of many is not enough...I will see what others have invented. Even the eyes of all humanity are not enough. I regret that the brutes cannot write books. Very gladly would I learn what face things present to a mouse or a bee. More gladly still would I perceive the olfactory world charged with all the information and emotion it carries for a dog.
I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
I'm not one generally to do that stuff anyway, and they didn't even ask me whether I'd seen the show [The Flash]. They didn't tell me anything about what I was going to play, they just inferred that there was going to be a lot of meat to sink my teeth into.
There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer', that director's going to hate your guts. Particularly if it's a good idea.
There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer...', that director's going to hate your guts. Particularly if it's a good idea.
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