A Quote by Emmanuelle Bercot

"Lost in Translation" by Sofia Coppola. It's a masterpiece. I laughed a lot but was also overwhelmed by the story - a rare combination. — © Emmanuelle Bercot
"Lost in Translation" by Sofia Coppola. It's a masterpiece. I laughed a lot but was also overwhelmed by the story - a rare combination.
The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'
I always think Michelle Williams is excellent in her work. And I do love Sofia Coppola. She always creates something so atmospheric. I love Wes Anderson, Roman Coppola, Andrea Arnold.
Sofia Coppola is wonderful, and I'd love to work with her.
On my first album, I felt like, if it was going to be turned into a movie, it would have been directed by Sofia Coppola. She creates this kind of pastel-colored palette that's very whimsical but also very stagnant. And that's really how I heard the record.
Making my first record, I was really inspired by all the color palettes Sofia Coppola has in her films.
But the fact that some geniuses were laughed at does not imply that all who are laughed at are geniuses. They laughed at Columbus, they laughed at Fulton, they laughed at the Wright Brothers. But they also laughed at Bozo the Clown.
It is in the translation that the innocence lost after the first reading is restored under another guise, since the reader is once again faced with a new text and its attendant mystery. That is the inescapable paradox of translation, and also its wealth.
Honestly, this will never happen because she's so much classier than me, but I would love to work with Sofia Coppola.
Maggie Gyllenhaal, Chelsea Handler, Tilda Swinton, and Sofia Coppola are other clients. They're all risk takers but never look like they're in costume.
Poetry is what is lost in translation. It is also what is lost in interpretation.
I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.
Translation is harder, believe it or not. You do have to come up with a story, and actually I'm mystified by that process. I don't exactly know how the story just comes, but it does. But in writing a story that you're inventing, versus writing a story that somebody else has made up - there's a world of difference. In translation you have to get it right, you have to be precise in what you're doing.
The oldest cliché in the world is about "what's lost in translation," but you don't very often read much intelligent about what's gained by translation, and the answer is everything. Our language is a compendium of translation.
For me, I am a huge fan of Sofia Coppola and Lynn Shelton. I love Lena Dunham, like everybody else. I love Kathryn Bigelow.
I always look at my favourite photographs or favourite movies by James Bidgood or Sofia Coppola before I write my songs - they put me in the right frame of mind.
I would love to meet or work with Sofia Coppola. Or Wes Anderson or Spike Jonze. I'd love to meet them. The way they film, it's all so geometric.
This site uses cookies to ensure you get the best experience. More info...
Got it!