A Quote by Emmanuelle Chriqui

I love European films in general. If I were to go to the movie store or something, that's what I like to see. — © Emmanuelle Chriqui
I love European films in general. If I were to go to the movie store or something, that's what I like to see.
I like independent films... European films. I do go and see popular films as well because my kids force me.
I particularly like Strellson because I love one-stop shopping. I don't like going store to store. I want to go to one store: look, see, buy, go. But shopping takes time. If I have three or four hours, I play golf.
I love French films, and European films. They're not any bigger, but there's just a sort of definition, and a confidence, and strength to them. I'd always, given the option, go and see a French drama. Obviously, we probably get the better ones. But they're just sophisticated on many levels, and grown up, and quite profound - and we don't make films like that.
You know, when we were kids, we had to go to a theater to see a movie. And then television came in and you had to wait until midnight to see the one you wanted to see. Now, all you've got to do is go to a store and buy it and you can watch it whenever you want!
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
I love Donnie Darko movie so much. Just before I got that script, I had been to see some European art film. I walked out of that movie and said to my husband, "That's what I want to do! I want to do an art film and take it to the edge." Within two weeks, we were getting ready to go on vacation, and my agent called.
If I see a movie star in the department store buying something, I'll kind of sidle up and see what they're saying, what they look like, how they sound. That's an invasion of privacy.
I'm a European, and I live there. I work in European films, and then once in a while, I make an American movie.
I didn't grow up like Quentin Tarantino, watching esoteric art films at the video store. I'd go to the multiplex and see big, mainstream movies, and I'd go, 'I want to make one of those one day.'
I was never a fanatical movie person. There are many popular films I absolutely love like anyone else. Having said that, I don't have time to go to the movies very much. I work a lot of different things, I'm always busy. But I'm always happy to see a popular movie.
I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.
I would love to take control of the entire universe and for five years you give every movie the same widespread distribution no matter what movie and see if there's a real discrepancy between people coming to see science-fiction films or superhero films. I seriously bet there would be no discernible difference.
When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
The more lines I have, in general, the worse a movie is. It's very rare that I get say great things in fantastic movies. So if you see me as like, number one on a call sheet? In general, that movie is pretty bad.
Every time I make a "Mission" movie or other films, people kind of look at me and go, "Well, now what? What's next?" I think there's always going to be another mountain. I think there's something always in store.
In general, I go to see the stuff that for me is, "Thank God for that actor, he's doing something that I never imagined; thank God for this filmmaker, because if this person didn't exist, this movie wouldn't exist." That's why I go to the movies. That, to me, is what's so exciting about this movie.
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