A Quote by Emmanuelle Riva

It is dreadful to see actors reproducing the same image constantly. — © Emmanuelle Riva
It is dreadful to see actors reproducing the same image constantly.
Sometimes I just think of an image. Basically, I see an image in front of me. My eyes are open, but I visualize an image, very truthfully. It happened with all my movies the same way.
aren't you, uh... reproducing? "sure, we love reproducing it's one of our favorite things.
As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.
I don't think it's easy for women to watch themselves age. And I think it's obviously doubly hard to grow older when you are a public figure and you constantly have to see your image all the time, and people are constantly pointing it out.
Simon Cowell is trying to get everyone to clone their dogs, and we've had our dogs 'done' so they can't have puppies any more. Cloning is like modern day reproducing - reproducing the bits you want.
People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.
We're interested by public personas and private personas, otherwise we wouldn't put on with actors rambling on with the same kind of stuff, over and over again, saying variations of the same thing. I'm always amazed by how fascinated people still are by actors because it's the same version of events that actors describe, all the time.
I think the great thing about acting is that it's not all the same. You're constantly challenged and constantly pushed to your limit. It's nice to see how your body can adapt to these things.
My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen. So you're constantly calibrating to play to their strengths. And the key is to never ask them to do things that are beyond their abilities or are really far away from who they are at their core.
You can't create chemistry. In fact, the chemistry between two actors is for people to see, sense, and judge. The only thing we can do as actors is to come on board individually because we feel the same kind of passion for a script and for a director to cast us because he feels that, as actors, we'll do justice to that part.
This is what gay nightlife is: It's about building an image. You are constantly in proprioception where you're clocking your own movement through space constantly.
I was thinking about how we're so in touch with our image now. That conception of ourselves, in a very physical sense, can be oppressive. You find people wanting to be in dark places, not really see themselves, see themselves as a filtered image. A curated image.
You have to be able to connect to the world of archetypes. That is not so easy, and most people in the West have no clue, that that is necessary, because they have no clue of what that means. They see the image, they see Buddha here, but they don't see what the image represents. Its one thing to see with this physical eyes, it's another thing to see with this spiritual eye.
If you see an image and it's just an image, and there's a bad link or no description, and you don't know what that image is, or who took it, or what it's a picture of, it's not a very satisfying or actionable experience.
I like working with kid actors because they surprise you constantly. I mean, all actors do - but kids particularly.
In England or America, actors do not have to cater to an image. In India, it is almost demanded of us. Very seldom do you get a film where you can walk away from your image.
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