A Quote by Emmanuelle Seigner

I'm sure my children will be artists. I hope they will direct because it is much more interesting. Acting is great, and I love it, but it is very passive, and it depends on other people's desire, and you depend on others all the time.
Love and ever more love is the only solution to every problem that comes up. If we love each other enough, we will bear with each other's faults and burdens. If we love enough, we are going to light that fire in the hearts of others. And it is love that will burn out the sins and hatreds that sadden us. It is love that will make us want to do great things for each other. No sacrifice and no suffering will then seem too much.
We will freedom for freedom’s sake, in and through particular circumstances. And in thus willing freedom, we discover that it depends entirely upon the freedom of others and that the freedom of others depends upon our own. Obviously, freedom as the definition of a man does not depend upon others, but as soon as there is a commitment, I am obliged to will the liberty of others at the same time as my own. I cannot make liberty my aim unless I make that of others equally my aim.
Remember, happiness doesn't depend upon who you are or what you have; it depends solely upon what you think. So start each day by thinking of all the things you have to be thankful for. Your future will depend very largely on the thoughts you think today. So think thoughts of hope and confidence and love and success.
The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.
The advance of human freedom - the great achievement of our time, and the great hope of every time - now depends on us. Our nation - this generation - will lift a dark threat of violence from our people and our future. We will rally the world to this cause by our efforts, by our courage. We will not tire, we will not falter, and we will not fail.
It is not enough to ask, 'Will my act harm other people?' Even if the answer is No, my act may still be wrong, because of its effects on other people. I should ask, 'Will my act be one of a set of acts that will together harm other people?' The answer may be Yes. And the harm to others may be great. If this is so, I may be acting very wrongly, like the Harmless Torturers.
Being concerned about other people is especially relevant in today's world. If we consider the complex inter-connected ness of our modern lives, how we depend on others and others depend on us, our outlook will change. We’ll begin to see 'others' not as somehow distant from us, but as people we are in touch with, people close to us; we will no longer feel indifferent to them.
They say you cannot love two people equally at once,” she said. “And perhaps for others that is so. But you and Will—you are not like two ordinary people, two people who might have been jealous of each other, or who would have imagined my love for one of them diminished by my love of the other. You merged your souls when you were both children. I could not have loved Will so much if I had not loved you as well. And I could not love you as I do if I had not loved Will as I did.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
Friendship is far more delicate than love. Quarrels and fretful complaints are attractive in the last, offensive in the first. And the very things which heap fewel on the fire of ardent passion, choke and extinguish sober and true regard. On the other hand, time, which is sure to destroy that love of which half certainly depends on desire, is as sure to increase a friendship founded on talents, warm with esteem, and ambitious of success for the object of it.
We take pictures because we can't accept that everything passes, we can't accept that the repetition of a moment is an impossibility. We wage a monotonous war against our own impending deaths, against time that turns children into that other, lesser species: adults. We take pictures because we know we will forget. We will forget the week, the day, the hour. We will forget when we were happiest. We take pictures out of pride, a desire to have the best of ourselve preserved. We fear that we will die and others will not know we lived.
As much as I love acting and I hope to be doing it for a long time, it almost feels more natural for me to be a producer. I came into all of this because I'm a fan of movies and I wanted to find any way I could to be a part of it all. I happened to take the acting route but it could have been a million different ways in. Now that I'm producing it's just really fun for me to work with people that I really admire and put people together who I think will work well together. Just having a little more control.
I meet a lot of young people that want to go into acting because they think of what it will do for them. If that's the case, it can be a very, very painful profession. But if the kids want to do acting because they love it, and they want to give to it, then they can have a great life. It's really about as simple as how you look at it.
I love acting and I hope I'm fortunate enough to get good, interesting roles and I hope directors and producers will keep giving me the opportunity to act as I really love doing this.
I think that is so interesting. It is le Carré. There must be so much of him when he was younger. He's an interesting character. I don't want to say the word "passive" because there is something very active about the way he is passive, if that makes any sense: the nature of his watching and his listening is active. It is always so alive because he is, essentially, a spy.
I hope and dream the time will come when serious artists will make marvelous pictures that will love and live in life-like manner and be far more interesting and wonderful than pictures you now see on canvas. I think if Michelangelo was alive today he would immediately see the wonders...The artist can make his scenes and characters live instead of stand still on canvas in art museums.
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