A Quote by Emmanuelle Vaugier
Would I put my daughter in a private all-girl school? No. Would I put her in a private co-ed school? Yes. Would I put her in the school I went to? No way.
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I went to a failing school, and by the grace of God, my mother was able to put me into private school, and had she not, I would probably be in a gang or dead right now, because that was the road I was going down.
I think if my daughter was interested in acting, I would find ways for her to act in theater that has to do with her school or a kids' improvisational thing. There are ways to do it where you're not on a movie set with 60 adults, which I loved at the time, but as a parent, I don't know that I'd be dying to put her in that spot.
My father died when I was young, and my mother, Ruth, went to work in an office selling theater and movie parties. She put me through private school, Horace Mann, in Riverdale. She sent me to camp so that I would learn to compete. She was a lioness, and I was her cub.
My dad was a great business guy, and he always taught us that his business acumen would put his workers' kids through school, and their great artistry... would put my brothers and me through school.
I hated going to school, mainly because my sister would drive me and she would put her make-up on while she drove. That's dangerous. That should be illegal.
My upringing did influence me to a certain extent. I grew up going to private school, and we'd have these really cute uniforms, but you'd only have so much sway over how you could "customize" them. I would line my blazers, I would dart my skirts, I'd change the buttons, I would do anything I could to make them unique. And when I started designing, I found myself referencing those roots. I love a sort of preppy, gender-bender vibe. I wanted to incorporate the feel of menswear into the looks. That definitely comes from my private school days.
Put an Englishman into the garden of Eden, and he would find fault with the whole blasted concern; put a Yankee in, and he would see where he could alter it to advantage; put an Irishman in, and he would want to boss the thing; put a Dutchman in, and he would proceed to plant it.
I didn't have the money to put myself through drama school, so I thought - naively - that if I wrote a play and put it on at the Edinburgh Fringe Festival, agents would see me and that would be my ticket to Hollywood. I wrote a musical; an acting coach saw it and put me on his course for free while I wrote for his company.
I have always dressed a little bit differently, even when I was in school. I would wear skirts over pants because I went to a Christian private school and wanted to wear short skirts, but we had to wear skirts below our knees, so I put on a pair of jeans underneath so I could wear the skirt, too. When you become an artist you have to be so aware of what you're wearing all the time, but I've definitely wanted to stay classy, girlie, and feminine - I won't walk around in my bra or trashy clothes. I don't feel attractive that way.
I was really lucky. I had a really great opportunity. I went to an all girls, very small private school from seventh grade all the way to graduating. It was so wonderful because the focus was school at school...and during the week I could be that nerdy bookworm of a girl, and do six hours of homework at night.
My perfect day would start with a kiss from my daughter. I would drive her to school listening to our favourite punk rock music on loud in the car.
I went to private school and then chose to go to public school because I didn't like the private school experience; I didn't like that vibe.
My mother was an extraordinary theater actor in Canada, and when I would finish school, I would go to the theater. I would do my homework, we would have dinner there, she would do her play, and then me and my sister would go home. So I grew up in it that way.
When my daughter went to school, her last name was mine. The school insisted that her father's name be added to hers, not her mother's. The fact that the mother kept her in her womb for nine months is forgotten. Women don't have an identity. She has her father's name today and will have her husband's tomorrow.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
I asked a high school girl about unreciprocated oral sex and said, "What if guys were asking you to get them a glass of water and never offered to you a glass of water? Would you put up with that?" She burst out laughing. It never occurred to her.
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