A Quote by Emmet Gowin

I want my photographs to say: "Look-there's this thing you haven't seen that you should see." — © Emmet Gowin
I want my photographs to say: "Look-there's this thing you haven't seen that you should see."
To look is one thing, to see is another thing; to see is very difficult, normally; to look is to try to see. I have looked and I hope I have seen.
To look at any thing, If you would know that thing, You must look at it long: To look at this green and say, "I have seen spring in these Woods," will not do - you must Be the thing you see: You must be the dark snakes of Stems and ferny plumes of leaves, You must enter in To the small silences between The leaves, You must take your time And touch the very peace They issue from.
Large or small, [the garden] should be orderly and rich. It should be well fenced from the outside world. It should by no means imitate either the willfulness or the wildness of nature, but should look like a thing never to be seen except near the house. It should, in fact, look like part of the house.
My aim is increasingly to make my photographs look so much like photographs [rather than paintings, etchings, etc.] that unless one has eyes and sees, they won't be seen - and still everyone will never forget having once looked at them.
People, on their bucket lists, are saying, 'I want to see a game at Rupp Arena.' Magic Johnson will call and say, 'I want to come to the game tonight. I want to see John Wall or Anthony Davis or Michael Kidd-Gilchrist.' It's become fashionable to be seen here, because people want to be seen and associated with success.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
I feel like movies should stick to a genre and give the audience what they want, and then surprise them with the unexpected and not just do the same thing you've always seen. But of course, you're gonna see some of the same things you've seen before. It's part of the deal.
I appreciate photographs which celebrate harmony. I don't particularly want to look at chaos. I see enough of that at home.
For me to put a look together, if it's going to be a boy look or a girl look or whatever, is quite a tricky thing to do. I'm not doing drag because drag is seen in a certain way and my comedy has got zero to do with what I'm wearing. I could wear an elephant suit and say the same thing.
Do you want to see what human eyes have never seen? Look at the moon. Do you want to hear what ears have never heard? Listen to the bird's cry. Do you want to touch what hands have never touched? Touch the earth. Verily I say that God is about to create the world.
It's weird to say, but every time I look at my daughter and I see this little living breathing thing that came from me, that represents all of the hopes and dreams that I would want for her, I see a miracle.
The first thing I would say to young writers is, "Don't do it, unless you can't stand not to do it." And the second thing I would say is, "If you do do it, and get into it, the constant rule you should have in mind is to explore your material." It sounds simple, but it isn't, because people often want to get from A to B, and they don't stop to look at what is in the material.
If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song."
As a professional photographer I take photographs for other people to see - but I want them to see what I see. So I never assume that only a few people will appreciate what I do. At all times, the public should be able to understand what I've done, even if they don't understand how I've done it.
You told me once, long ago, to look into a mirror and see your face. I refused to then. But now Mnimi has forced me to look at my own reflection. I’ve seen it through my eyes and I’ve seen it through yours. I wish to the gods that I could change what happened between us. If I could go back, I would never deny you. But I can’t. We both know that. Now I just want the chance to know you as I should have known you all those centuries ago. (Styxx)
Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that "I see what I eat" is the same thing as "I eat what I see"!
This site uses cookies to ensure you get the best experience. More info...
Got it!