You want to show your people that you value them, and you're not going to hurt them just to get a little more money in the short term. Not furloughing people breeds loyalty. It breeds a sense of security. It breeds a sense of trust.
It's tough. We don't have a character-driven show so I think the fans get really frustrated because they don't get to see any consistency in terms of what's happening romantically. We kind of just have to take it with a grain of salt. It shows up where it shows up.
My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?
I've been lucky enough that in the U.K., I've done shows that have aired once a week. I make a show there that runs seasonally, and we make one episode a week, and that is great - the value of time. You can really think and finesse what you want to do.
I think you want to show a level of transparency that breeds trust. You don't want to show a level of desperation that breeds concern.
There are very few horror shows, where you have a long running arc. Most horror shows play as a sort of an anthology. Buffy - a terrific show - had the-demon-of-the-week. Twilight Zone - X Files - these things had an anthology approach. Our show is a long running drama with the same creatures every week.
I've started to show the consistency in majors I had in regular tournaments back in 1998-2000 when I was contending nearly every week.
The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.
I'm going to show up and do my job to the best of my abilities every day, every week.
It's just a challenge doing live television every week, you know, it's a challenge to come up with new material every week and stuff like that and try to keep it current, you know what I mean, like it's just, you know, it's a kind of a stressful environment. Like I didn't really realize that we had a show this Thursday until yesterday.
You always study the players you go against. You try and stay ahead of it. Those guys are just too good to just show up on Sunday and think you're going to do well. Every week it seems like there's an all-star out there - to me, anyway. Every week is a rodeo. You just hope for the best.
I think every show I do, whether I am doing eight shows a week of a Broadway show... I think, "that's a show I'll never get back"... I go home at night and I think to myself, "that was my favorite".
Show up, show up, show up, and after a while the muse shows up, too. If she doesn’t show up invited, eventually she just shows up
That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
This show [Timeless] is absolutely epic. I simply can't believe the production value for the episodes. Each episode is creating a new world. I just can't think of another television show that trumps the Hindenburg to the 1970s week to week.