A Quote by Emmitt Smith
I don't have to put on shoulder pads and run out there and let somebody hit on me a little bit.
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If my mother put on a helmet and shoulder pads and a uniform that wasn't the same as the one I was wearing, I'd run over her if she was in my way. And I love my mother.
The way my mom dressed was one of my earliest inspirations, in those '80s suits with shoulder pads and things like that. For years, I ran away from that style. But now, all I want to do is shoulder pads and nipped-in waists and padded hips and peplums and poufed dresses.
Everybody's fast and strong, but to go out there and throw pass-rush moves or be able to do something different on the run to get them off balance. Anybody can run into somebody, but if you can shake them a little bit at the line, that's what's helped me out as a player.
I've definitely had my share of calls where I just laugh. Someone came to me once and wanted to do a signature Hawk cologne. I was like, 'Of what? Sweaty pads? Am I wringing out my pads into a little perfume bottle?'
It always stings a little bit when somebody doesn't like what you put out there, or at least it does for me. I don't take it too much to heart, and it doesn't change anything.
If I hit you and you hit me and I hit you back and you hit me back and go on, you see, that goes on ad infinitum. It just never ends. Somewhere somebody must have a little sense, and that's the strong person.
To me, it doesn't feel like it's just another rock record that somebody put out. It feels like we taped into the culture a little bit
It's very hard for me to be myself when I'm not in shoulder pads.
I constantly have a devil on my shoulder telling me that what I'm doing is really horrible, and then somehow the lightning strike happens and everything comes together. I've just realized I have to live with that devil on my shoulder a little bit more.
I know all too well what it takes to have a hit: A little bit of luck, a little bit of work, a little bit of talent.
After about 25 medals, you run out of shoulder to put them on.
Trying to outplay my sister or come out from her shadow, I think that gave me an edge, or a chip on my shoulder. That's where the flair and a little bit of the drama came from.
Derek lunged. He hit me in the shoulder and knocked me to the floor, landing on top of me. His body jerked, like he'd been hit with the spell, and I let out a yelp, struggling to get up, but he held me down, whispering "I'm okay, it's okay" until the words penetrated.
Yeah, I'm going to go back (after hitting his 500th home run, but commenting on reaching the 3,000 hit plateau) to my Punch-and-Judy days, hit the ball the other way, start bunting the ball a little bit.
I used to be a pretty good hit-and-run man when I played in the minors. I handled the bat well and could hit the ball to the right side of the infield. Nevertheless, I know that you often give the opposition an out on the hit-and-run play.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
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