A Quote by Emmy Rossum

I love the silhouettes of the '50s that were feminine and womanly without being too revealing. I've always gravitated towards that kind of sense of style and fashion. — © Emmy Rossum
I love the silhouettes of the '50s that were feminine and womanly without being too revealing. I've always gravitated towards that kind of sense of style and fashion.
The newspaper is, in fact, very bad for one's prose style. That's why I gravitated towards feature stories where you get a little more leeway in the writing style.
So I always respected the guys who were trying to do it on their own without taking a handout from a big organization. They were trying to create their own thing, the DIY style, which is sort of always been my style, kind of a makeshift survival mode and really just kind of forging your own path.
I thought to be feminine was to give in to straight culture, or the beauty standard, but in my heart I had a flair for fashion and style. They were passions I kept secret because I didn't understand I could love clothes and hair and makeup and still like girls.
I love fashion because it can change to suit your mood. I'm very drawn to classic silhouettes, menswear-inspired pieces, and anything that feels a little French. I'm also inspired by Brit girl style.
I'm a really big advocate of ethical fashion. I actually have a travelling boutique called Maison de Mode, which is all about ethical fashion. I also like Maiyet from Paris. They're very Celine-esque in their silhouettes. I love their back story, too: they work with orphans in Colombia and India.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
Feminism has nothing at all to do with being 'feminine.' Feminine means accentuating the womanly attributes that make women deliciously different from men. The feminine woman enjoys her right to be a woman. She has a positive outlook on life. She knows she is a person with her own identity and that she can seek fulfillment in the career of her choice, including that of traditional wife and mother.
I've always been interested in fashion, the clothes, but I'm not that familiar with the fashion industry; for me it just comes out of quite an innocent sense of style.
Growing up in Atlanta I always had a sense of what fashion was, a sense of style - my parents always talked about the importance of making a first impression and that's stayed with me.
I love the shape of '50s fashion: the clothes are very flattering; they let you out in the right places. I love high heels, too, as I'm only five foot three, although I always tell people I'm five foot five.
They were recorded without processed cheese. Listen to old '50s records. The style may be dated, but the recording isn't.
I wear things that aren't in fashion. I wear colors that aren't in fashion. And as a result of that, I kind of bring it back. I feel like nothing really ever goes out of style. It's just what the media and what people tell people to wear. I think having your own sense of fashion is important.
I think men are still attracted to what they've always found attractive, which is a woman who is feminine, soft, real, and . . . womanly.
What I love about the U.K. is that there are no style boundaries, you can wear anything and you won't be judged, which is a fantastic attitude to have towards fashion.
I don't follow trends. I wear what I feel comfortable in, and typically that is a dress. I love wearing very feminine details-poufs, ruffles, and baby-doll silhouettes.
I could cut silhouettes almost as soon as I could manage to hold a pair of scissors. I could paint, too, and read, and recite; but these things did not surprise anyone very much. But everybody was astonished about the scissor cuts, which seemed a more unusual accomplishment. The silhouettes were very much praised, and I cut out silhouettes for all the birthdays in the family. Did anyone warn me as to where this path would lead? Not in the least; I was encouraged to continue.
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