A Quote by Emmy Rossum
We like it to be realistic but not real, but I wear something I call the 'vag pad,' it's kind of a little triangular panty liner that you stick to you.
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Being a girl didn't really affect me until I entered junior high and had to wear skirts, curl my hair, and even get used to panty hose. However, my hatred of panty hose helped make me a writer who only wears comfortable clothes. I've successfully avoided panty hose for most of my life.
You do a movie [where] you like the script [and] it has something to say that you care about. And there are certain people in this industry that you kind of stick with. Guys like [“The Congressman” producer] Fred Roos. They call you, and if you’re not working, that’s what you do.
I often go to bed in my birthday suit. But I like teddies and cute little undies that match. I like a sexy bra and panty set, or little shorts.
There's something known as the Uncanny Valley where things look a little too real and you're not quite sure what you're looking at. It becomes weird like it did in 'The Polar Express,' where the eyes seem so realistic, and yet you know it's animated.
Lips are kind of like my thing, and I've always been obsessed with lipstick and lip liner. I just always went to lip liner to overline my lips, and I feel like I was really known for that. I can't walk out of my house without my lipstick!
My friends call my style 'old man chic.' I wear loafers and stylish sweatpants. I love to stay comfortable, so I definitely funk it up, but I'm always comfortable. I wear lots of hats and feathers, and I kind of have a little obsession with Native American jewelry.
I guess the one-liner kind of comic sounds like a guy who can talk and talk and whatever the subject is, he can pull out a one-liner, but I couldn't do that. I didn't like the association. I mean, I love Steven Wright, but so many people started saying "Steven Wright" to me, and I would get mad, because I never wanted to be thought of as copying anybody.
I wear lashes, of course, a little contour, and a lip. And usually I wear shades, so that helps with not doing my makeup. I can put on a cute little face real quick.
They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things.
When you see the orbiter headed out the launch pad and then crawling up the hill and being hard down on the pad, it does something to you.
I like to wear more traditional work outfits like pants and a blouse, but I want the blouse to have something that is a little bit different and interesting - like with some studs on it or a little bit of lace. I want to feel comfortable and confident and don't want to have to think too much about what I wear every day.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
Honestly, I can't survive without my MAC gloss, pigment - sometimes MAC powder. But definitely my gloss and pigment and liner. I don't do mascara all the time. I do when I wear no lashes. I use the mascara, but when I wear lashes, I don't always do mascara, because it makes it real heavy sometimes.
I wear yoga pants and get to work out all the time - it's my job. I feel a little bit different when I go into what I call 'the real world.' It's cool to be able to train as a full-time job, and it's something that I love and will continue to try to make work for the next however-many years.
I'd like to be more of a bad influence than a role model. I'm getting lots of boys to wear eye-liner again which is good.
What happens if you stick at something long enough, and study it for so long, you have a different kind of intelligence. It's not an intellectual thing. It's almost like an animal intelligence. I call it our form of instinct, almost how a lion knows exactly where its prey is.
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