A Quote by Emmy Rossum
I suppose that it doesn't matter whether a song is written or sung by a man or a woman. If the sentiment is there, it captures the audience.
Related Quotes
All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.
Biblically defined marriage is a man and a woman for life, and so anything different than that is not God's ideal whether it be polygamy, whether it be divorce, whether it be a marriage between a man and a man or a woman and a woman. The ideal would be a man and a woman under a covenant of God's blessing.
A song can be more than words and music ... when sung with soul a song carries you to another world, to a place where no matter how much pain you feel, you are never alone.
I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
Man is the will, and woman the sentiment. In this ship of humanity, Will is the rudder, and Sentiment the sail; when woman affects to steer, the rudder is only a masked sail.
But for now, I just sat there on the bed and listened to my song. The one that had been written for me by a man who knew me not at all, now sung by the one who knew me best.
It doesn't matter to me whether I write in a man's voice or a woman's, or first or third person for that matter. Those choices come down to the story and I just go with it.
I think the music should definitely underscore the sentiment of the song, and it can work for or against it. It has just as much power in creating a kind of perpendicular sentiment in the music, creating a nice friction that also plays up some of the tension in the song.
Art is sexless; - good work is eternal, no matter whether it is man or woman who has accomplished it. ... Ah, but the world will never own woman's work to be great even if it be so, because men give the verdict, and man's praise is for himself and his own achievements always.
The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.
If a song is being written for a woman, there should be a woman in the room collaborating.
You can kill that man but not his song, When it's sung the whole world round...
I've never sung a single song in my whole life on purpose to shock anyone. My 'hot numbers' are all, if you will notice, written about something that is real in the lives of millions of people.
It doesn't matter how long my hair is or what colour my skin is or whether I'm a woman or a man.
I do not know whether there be, as a rule, more vocal expression of the sentiment of love between a man and a woman, than there is between two thrushes. They whistle and call to each other, guided by instinct rather than by reason.
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