A Quote by Emmy Rossum
She's lonely and wounded and very vulnerable and it really is a story about people at the heart of it all.
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People always say it's harder to heal a wounded heart than a wounded body. Bullshit. It's exactly the opposite—a wounded body takes much longer to heal. A wounded heart is nothing but ashes of memories. But the body is everything. The body is blood and veins and cells and nerves. A wounded body is when, after leaving a man you’ve lived with for three years, you curl up on your side of the bed as if there’s still somebody beside you. That is a wounded body: a body that feels connected to someone who is no longer there.
It is a huge amount of pressure playing someone like Valerie Plame-Wilson. First of all who she is and what she's done is wildly intimidating and impressive. It is just scary to take on that responsibility, and you want to honor her story, an incredible story that affected us all. She is often doing things that were confusing to me, like her sexual prowess. I think that she is in a lot of pain and she has been really badly wounded along the way. She doesn't hold men in the highest regard... not just men but people.
I've had that situation where I start writing somebody really miserable, and in order to make the story come alive, I have to give them a vote of confidence, make him vulnerable or wounded. But in real life, you often meet people who, in that particular moment, actually shouldn't get a vote of confidence.
To really be known and really let someone else be known is very vulnerable. It's a weird thing. Just being an actress in Hollywood is very vulnerable. To let all these other people decide whether you're really of value or not, you have to really be strong to know that, of course, they have a right to their opinion, but their opinion doesn't matter as far as yourself.
I noted about Cate Blanchett was her very positive lack of concern for how she turns out in Cinderella. She is happy to be a villainess and very pleased to be encouraged as I did with her to reveal this backstory and feel as though this was very human, that this broken heart of hers, if you might regard it that way, would be visible, but she never played for sympathy and I really admired that about her, so she's just there, she just is and uncompromisingly.
I came across an old story of mine that I'd written a decade ago. The main joke of the story is that a mother is telling her children about how she met their father online. The majority of memories the mother has all have to do with really funny links he sent her, a music download that she loved, etc. - and because of these superficial details she fell in love with the father. Reading it today, it's hardly a dystopian story; it's simply a realistic story about how people actually meet.
More than anything I have learned that we are all frail people, vulnerable and wounded; it is just that some of us are more clever at concealing it than others! And of course the great joke is that it is O.K. to be frail and wounded because that is the way the almighty transcendent God made people.
Sex is the killer. Sexual love makes you feel more vulnerable than any other kind of love. That's one reason that people are so thorny and so vulnerable and so easily wounded when in love.
One of my patients told me that when she tried to tell her story people often interrupted her to tell her that they once had something just like that happen to them. Subtly her pain became a story about themselves. Eventually she stopped talking to most people. It was just too lonely. We connect through listening. When we interrupt what someone is saying to let them know that we understand, we move the focus of attention to ourselves. When we listen, they know we care. Many people with cancer talk about the relief of having someone just listen.
He says he’s lonely, horribly lonely because of this love he feels for her. She says she’s lonely too. She doesn’t say why.
From suffering I have learned this: that whoever is sore wounded by love will never be made whole unless she embraces the very same love which wounded her.
For me, making films is about trying to work something out by myself in quite a lonely way. I find the whole thing very lonely really.
...and when he thought about the way she laughed, as though she owned the air around her, his heart thundered inside his chest, a lonely rada.
There is a theory, that I rather subscribe to. The frame story implies that if he doesn't change, she will kill him. It's all very complex and subtle. The story is about a woman who persuades a man in power to a different temper and attitude, and so it is about women's wiles, what women will get up to. She has a plan, she has a scheme.
My favourite moment from the Oscars was when Brando didn't attend and sent a Native American woman to talk about Wounded Knee. She delivered a very unpopular and lengthy monologue about the injustice for indigenous people in North America. It was one of the greatest moments in American television.
What we're really trying to tell, even though it's very much a genre show, is a very human story. Even in this heightened situation, it still comes down to people being people, and dealing with people as people. It really is about the seven people in that town.
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