A Quote by Emmy Rossum
I feel like I've come out of this grown up, maybe because I live through the character vicariously and she grows up so much during the course of this story.
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Having grown up in that area, and being like every other kid that grows up in that area, it's John Havlicek, it's Bobby Orr, it's Sam Bam Cunningham, it's names and players like that who you kind of live your dreams through. Having come from there, I'm very proud of the fact I'm from Boston and continue to be proud of that.
It's weird because I've grown up a lot after filming the first 'Hunger Games' movie. Growing up with a character is really interesting because you feel like you have this connection with the role.
Most of us have grown up, you know, I think there are very few people who have grown up in a home that was, like, super normal. You know, we all have dispositions because maybe you didn't have a mom or you didn't have a dad, maybe your mom died early or maybe mom and dad argued or they got a divorce or who knows? You have issues that maybe you've started younger or maybe you have your own issues because you have them.
We live in a society running from pain through alcohol, through too much exercise, through sugar, through drugs - as opposed to realizing that these things come up because they are lessons. It's a way to wake you up.
I just feel like I haven't grown up yet. I live on my own and I do grown-up things, but there is something about me that is very youthful.
It made it feel impossible, quite honestly, because filming - you film come rain, come shine, come whatever. And it did rain a lot. And of course, that's what she must have gone through. Of course it rained; of course it was cold... But, you know, it really was quite hard to be out there in the rain.
When kids can't come to my show, I feel bad, because grown-up 21 and up people really probably don't need my help as much as an 11-year-old child.
I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.
I dont have a favorite genre. I love to work and live vicariously through every character. Its all about trying to bring the character to life and get the story across in a way that resonates with the audience. Its always interesting and challenging in a gratifying and unique way.
The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.
I think what is nice about 'Elf,' and why it doesn't play as one long sketch, is that the character actually grows up during the course of the film. It's not just a character that you can keep checking in on and keep doing sketches about. It's a story. I'm pretty proud of how we told it.
I used to lie here like this all summer long,' I tell her. 'I'd come up here and just stare at the sky.' She rolls over on her back so she's staring up as well. 'Bet this view hasn't changed much, has it?' What she says is so simple i almost laugh. She's right, of course. 'No. This looks exactly the same.' I suppose that's the secret, If you're ever wishing for things to go back to the way they were. You just have to look up.
If you ask a ten-year-old girl what she wants to do when she grows up and a fourteen-year-old girl what she wants to be when she grows up, in many cases, the older child will have a much less free sense of what's possible.
So many people look up to Jennifer Lawrence playing Katniss in 'The Hunger Games.' For them to look up to Rey and what she represents would be fantastic. She's a wonderful character... The reason I love her so much is she does all the fun stuff. She fights, runs and protects herself and has an incredible emotional story.
I felt different at 29 because 29, to me, is 30. There are times when I still feel like an actual toddler in a grown-up - well, semi-grown-up - body.
Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
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