A Quote by Emmylou Harris

You know, I'm a fan of Laurie Anderson. One of my favorite records is 'The Ugly One With the Jewels,' a spoken-word record. It's an extraordinary album. — © Emmylou Harris
You know, I'm a fan of Laurie Anderson. One of my favorite records is 'The Ugly One With the Jewels,' a spoken-word record. It's an extraordinary album.
I was a Fry & Laurie fan, I was a Blackadder fan, I was a House fan and he [ Hugh Laurie]s a pleasure.
I like records that are all over the place. That's why I think my favorite Beatles record was always 'The White Album.'
I didn't know who Meredith Monk was, and I knew about Laurie Anderson but I didn't know her music that well.
No poet will ever take the written word as a substitute for the spoken word; he knows that it is on the spoken word, and the spoken word only, that his art is founded.
Anybody I have spoken to who has held a record says 'Records are meant to be broken.' They get excited when somebody has an opportunity to break one of their records and take the sport even further.
For me, I've always been intimidated by the computer coming from the era of record industry and record stores and buying records and looking at album covers, waiting in line for records when they came out and then ultimately being successful in a band where we recording pre-computer era.
In our 20s, women in my generation, we all wanted to be Laurie Anderson.
When I was young, I never bought records because my brother Joseph played saxophone and had a record player. I loved listening to his records: The Dorsey Brothers, Duke Ellington, all the big American jazz bands, and vocalists like Ella Fitzgerald, Ernestine Anderson, and Kitty White, a singer from the US who was a friend of Nina Simone. Nobody in America seems to know about her, but she was quite popular in South Africa.
I put out Imaginaryland, I heard a lot of, "Oh she's copying Laurie Anderson," and I was like, wait... but I don't know her music! Maybe - didn't she have a song called "Superman"?
I always like spoken word records.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
I've never blown an ugly bubble. Never. They're all beautiful. They're like jewels, transient jewels.
Growing up, I remember I had several different 45 singles. But the first album I received was from a family friend: Emmylou Harris' 'Roses In The Snow.' It was so incredible. This record, to this day, is the favorite album of my life.
Comeback records always worry me, especially when they're made by one of my heroes, and I'd heard stories about Gil Scott-Heron recently, about drug arrests and prison terms and other troubles. I wasn't prepared for the ravaged shakiness of his voice on this record or the raw spoken word pieces or the dark electronic backgrounds.
All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent. I think the theme of the album probably was just that it was our first record. ... Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.
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