A Quote by Emo Philips
I was walking down the street the other day and these construction workers were working on the roof hammering away. One of them told me I was a paranoid lunatic... in morse code.
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I was walking home one night and a guy hammering on a roof called me a paranoid little weirdo. In morse code.
Very few pilots even know how to read Morse code anymore. But if a pilot could read Morse code, he could tell which beacon he was approaching by the code that was flashing from it.
For me, if I was walking down the street and saw a politician, I'd cross the street and walk the other way intentionally, just to not have to talk to them.
I used to love it when I walked down the street and construction workers would whistle.
One day I was watching these construction workers go back to work. I was watching them kind of trudging down the street. It was like a revelation to me. I realized these guys don’t want to go back to work after lunch. But they’re going. That’s their job. If they can exhibit that level of dedication for that job I should be able to do the same. Trudge your ass in.
I've spent my whole working life standing up for workers. Didn't matter if it was the two trapped miners at Beaconsfield or professional netballers or indeed factory workers or construction workers.
God doesn't seem to talk to people like he used to. Who's he talking to now? I don't know. Then I'm walking down the street in Manhattan one day, and I realize maybe it's those guys you see walking down the street talking to themselves. You know, those guys that are like, 'I can't! No, I can't!' Maybe the other side of that conversation is God going, 'You're the new leader.' 'No I can't!' They're not crazy - they're reluctant prophets.
My da used to sing 'Take Her Up to Monto' to me when we were walking down the street - he still does, actually - because it's got a walking tempo, and I still sing it to myself when I'm walking along.
I told my students the other day in class, which is about the spirituality and creativity as much as it is about music. I said, 'If you're walking down the street and you see a baby carriage, and there's a baby in the carriage; you look down and your eyes meet the eyes of the baby. The baby looks at you: That's the kind of moment you're in when you're playing.
So there are ups and downs, but the best is just the looks on people's faces when they meet me for the first time, because I am a real-life, walking, talking giant. It's not every day you see someone like me walking down the street.
I had a day off, and I was walking down the street one day, and this Mercedes pulls up alongside me, and Alec Guinness leaned out and said, 'What are you doing, Kenny?' I said, 'I'm just walking around,' and he said, 'Do you want to come and see an oasis with my wife and I?' There was nothing arrogant or flash about him at all.
For me, it's mostly about having stuff on the street. You're walking down the street, you do it every day, and suddenly there's something that wasn't there yesterday: something bright and cheerful and different. It might stay there for a year; maybe it will disappear.
It's the loneliest feeling in the world-to find yourself standing up when everybody else is sitting down. To have everybody look at you and say, 'What's the matter with him?' I know. I know what it feels like. Walking down an empty street, listening to the sound of your own footsteps. Shutters closed, blinds drawn, doors locked against you. And you aren't sure whether you're walking toward something, or if you're just walking away.
I have told many, yet when I go down that last trail, I know there will be a thousand stories hammering at my skull, demanding to be told.
Somehow the revolutionaries must approach the workers because the workers won't approach them. But it's difficult to know where to start; we've all got a finger in the dam. The problem for me is that as I have become more real, I've grown away from most working-class people.
I remembered this one time that I never told anybody about. The time we were walking. Just the three of us. I was in the middle. I don't remember where we were walking to or where we were walking from. I just remember the season. I just remember walking between them and feeling for the first time that I belonged somewhere
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