A Quote by Emo Philips

My jokes are in my head and I have a duplicate copy of my jokes in a lot of British comics' heads, where they are safe. — © Emo Philips
My jokes are in my head and I have a duplicate copy of my jokes in a lot of British comics' heads, where they are safe.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
I think I have got a lot better as an interviewer. I let people talk now which is something you need to do. At the beginning I thought jokes, jokes, jokes, I am a stand up comedian but I think I have mellowed out now.
I use mother-in-law jokes, kid jokes, tax jokes - anything that works.
There are two kinds of jokes - funny jokes and Jack Benny jokes.
People would say, "Oh, you say you just do jokes." I don't just do jokes. I do jokes. Jokes are important. They saved my life when I was younger. Hopefully we're making things nicer at the end of the day for people. That's the entire goal, and that's the touchstone and the North Star for the tone.
I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
The jokes are great but what really matters for a comedian is his performance, his whole attitude, and the laughs that he gets between the jokes rather than on top of the jokes.
I never really feel like just standing there and telling jokes. I want to move around. In fact, it's hard for me to write a joke where I don't end up on the ground for some reason. Hey, at least that way, I know no comics will steal my jokes. Too many bruises.
A lot of people get into stand-up as a back door into acting or something. But I really like writing jokes and telling jokes.
I'm a taker in terms of jokes. I love to hear a good joke, but I don't retain jokes. I'm not a good teller of jokes.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
I can't defend someone else's jokes. I can only defend my jokes, and I have to live with my own jokes.
Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.
It wasn't until I became more confident with myself and I put myself forward instead of the jokes; at first it was put the jokes out there and I'm just behind the jokes.
I don't tend to like race jokes. I don't like Jew jokes and black jokes, and they make me very uncomfortable, probably because I'm both. Well, I'm not black - but if I was then I could dance better.
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