A Quote by Emory Cohen

After I did 'Brooklyn,' I did about five or six violent films in one way or another, and not always with me being the bad guy, but something violent about it to keep the street cred up, really.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
What if a kid goes to school after seeing Kill Bill and starts slicing up other kids? You know, I'll take that chance! Violent films don't turn children into violent people. They may turn them into violent filmmakers but that's another matter altogether.
There is a report that says that kids who watch violent TV programs tend to be more violent when they grow up. But did the TV cause the violence, or do violent children preferentially enjoy watching violent programs?
Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.
Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.
But you listen to Coltrane and that's something human, something that's about elevation. It's like making love to a woman. It's about something of value, it's not just loud. It doesn't have that violent connotation to it. I wanted to be a jazz musician so bad, but I really couldn't. There was no way I could figure out to learn how to play.
I want to get violence - I want schools to start from K through 12 to just every day have teachers understand that they don't want to talk about anything that is violent, and they want to explain to the children how bad violence is and how behavior - violent behavior, is something that they really should not practice and think about.
I've always been terrified of violence which is probably why I keep making violent films - I'm trying to exorcise some demons or something. My mum ended up bringing me up on the edge of a big estate in south London, so I was on the periphery of violence - a lot of football violence and stuff because I was a Millwall supporter. So I've always had a very healthy fear of it, yet at the same time a fascination. I think in all of my films that's a really strong subtext... people who are terrified by violence but are yet compelled by it as well.
When I met Ram Charan, he told me not to worry about how much my films make. After 'Magadheera,' people began expecting big things from him. So he did films to keep up to that expectation. He advised me to not fall into that trap.
Birth is of course violent. Menstruation is violent. Trust me, if men's penises opened up once a month and shot blood, we'd be hearing about the violence of it.
I can make some calls. There is a guy. Dagfinn Heyerdahl. He used to be with Norse Heritage Foundation." Norse Heritage Foundation wasn't so much about heritage as it was about viking, in the most cliché sense of the world. They drank huge quantities of beer, they brawled, and they wore horned helmets despite all historical evidence to the contrary. "Used to be?" Curran asked. "They kicked him out for being drunk and violent." Curran blinked. "The Norse Heritage?" "Mhm." "Don't you have to be drunk and violent just to get in?" he asked. "Just how disorderly did he get?
Strangely enough, for many many years I didn't talk about my childhood and then when I did I got a ton of mail - literally within a year I got a couple of thousand letters from people who'd had a worse childhood, a similar childhood, a less-bad childhood, and the question that was most often posed to me in those letters was: how did you get past the trauma of being raised by a violent alcoholic?
Love is also a very violent thing. Totally violent. Suddenly, you are, like, at this party your friends invite you to, and you meet this person, and your life is turned upside down, and the next day you can't stop thinking about them. That's violent. Hopefully, it's for the better, but it's a violent thing.
Violent cities, people who live in violent cities, find a way - as New Yorkers did 30 or 40 years ago - they find a way to just carry on. But you're stressed out. You're worried, you know.
I'm not going to entertain something that took place not three months, not six months, not a year but two years ago. I'm not going to sit up here and say anything about it, whether I did or did not do it, because I don't want to beat a dead horse talking about it. It's not going to affect me any way, shape or fashion.
I'm still the same person I've always been. I can't say exactly what I'll do; I'm an excessive person. Talk about violence-----I don't do anything violent. Talk about violence, what's going on in Nicaragua? What's going on in El Salvador? That's violent. What are they doing to the planet with chemicals and acid rain? That's violent. What are people doing to each other? Raping. That's violent. I'm striking out at ac icon that has no life. There's a big difference between what has life and what doesn't. I mean. I've been a vegetarian for 16 years.
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