A Quote by Emory Cohen
I did 'Pines,' and everybody wanted me to be the bad boy. Then I did Tony in 'Brooklyn,' and everybody wanted me to be the sweet kid. So I just want to keep everybody on their toes. Basically, that was the thought process.
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The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
I put out 'Rhythm & Bricks,' which showed my versatility, and I had a lot of melodic songs on there, then I had a lot of street songs on there, and I just wanted to know what everybody wanted from me. I did put that out so that everybody could get a feel, so 'Cut It' just happened to come out of there.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
After we did [All In The Family], that ended up being a real love fest all around. Me and Norman, Norman [Lear] and me, Rob Reiner, everybody liked everybody. So about six or seven months later I moved out to L.A. and I got a call that Norman wanted to see me. I came in and he said "ABC has given me a property that they just optioned to make into a TV series. It's from a play called Hot L Baltimore, and I want you to be in it."
I took a lot of bad things after Athens. I just learnt to deal with it. The problem was beforehand I had this feeling where I was trying to please everybody - I wanted everybody to like me.
I didn't want everybody to be pretty. I didn't want everybody to be thing. I didn't want everybody to be a size 4. I wanted it to be like the world. I think that we got there, and that was really special. I wanted texture and grit to everything. And then, you have an actress like Sarah Gadon, where you could rub dirt on her face and she'd look like she stepped off of a Vogue cover, and that's fine.
I feel like I wanted to run differently than everybody else did. And I want to do things that everybody else hasn't done.
I didn't want to be like everyone else. I wanted to be better. If I did what everybody else did, then why would you look up to me? Why would I set an example?
I think the thing with fame is that everybody claims they all want your best. They all know what's good for you and you end up ragged, empty and tired. I did. I felt so empty. Everybody tried to grab a piece of me and everybody tried to push me into a corner.
This is a story about four people named Everybody, Somebody, Anybody and Nobody. There was an important job to do and Everybody was asked to do it. Everybody was sure Somebody would do it. Anybody could have done it, but Nobody did it. Somebody got angry because it was Everybody’s job. Everybody thought Anybody would do it, but Nobody realized that Everybody wouldn’t do it. It ended up that Everybody blamed Somebody when Nobody did what Anybody could have done.
I changed the pressure from negative to positive. So, instead of thinking everybody wanted to see me fail, I decided everybody wanted to see me win, since I wanted to see myself win.
I never wanted to play guitar when I was younger. I wanted to be a drummer because everybody plays guitar, and I didn't want to do what everybody else wanted to do.
Everything about the movie 'Dope' is real artistry, and everybody put their full hearts and souls into it. It's a passion project; it's not one of those things everybody got paid a million dollars to do. Everybody on there wanted to do it. Everybody there believed in the project, and we just went for it. We all love each other.
All my teammates, everybody, they trust me and empower me. I just wanna thank them for allowing me to lead them. And then my family, my wife, my son, everybody, like everybody, has played a part in helping me continue to become the best version of me on and off the court.
John Kricfalusi wanted me to quit the job when he got fired in 1992. But the problem there is that I wasn't his partner. I was a hired gun. And then people badmouth me for 10 years, like a rock in my shoe in that camp. It's a very small but active group of posters, as I've come to find out. But the thing is that I finally got to the point where, "Okay, I get you, I get it you don't like that I did what I did." But the thing was, the whole story was cockeyed. They said I put everybody out of work. No, I didn't. Everybody was going to be out of work if I didn't continue the Ren & Stimpy show.
Let me make a point here, in case this isn't becoming extremely clear. My state has gun control laws. It did not keep Hennard from coming in and killing everybody! What it did do, was keep me from protecting my family! That's the only thing that cotton pickin' law did! OK! Understand that! That's ...that's so important!
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