A Quote by Emraan Hashmi
In my career, I have played a gangster, an ex cop, a journalist and a film director. Yet, the label of a serial kisser refuses to leave me.
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I play the role of a gangster's wife in a web series, a cop's wife in Hindi film 'Vodka Diaries,' a cop in 'Adangathey' and a gangster in 'Saaho.' So yeah, I have got all the roles covered.
What kind of role do you play after someone like Stringer, you know what I mean? You play another gangster. What’s the point of that? I’ve played the gangster. I try to keep it really varied; it just makes for more of a fun and interesting career.
The secret is you need a director who refuses to walk away and you need a director willing to put their whole career behind the project.
She's a serial kisser. I think her parents are French.
Many number of times I say no when a producer or a director asks me to do a cop's role, unless the film is very interesting.
All my cop/gangster dramas have been spaced out, but somewhere, the films in which I played the bad guy were extremely successful, so people are under the impression that I play only such roles. I call it selective amnesia.
If you look at my acting career, I never played a role that was similar to anything my brother played. I was always cast as the bad guy or a gangster, because my brother didn't do those kind of roles.
I feel that the movie in which I've played a cop or army man have been bigger hits. That's why people remember me more as a cop or army person. I've even noticed that a lot of films in which I've played a variety of wonderful roles haven't done well.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
The 'serial kisser' tag that has been thrust on to me is a lame stereotype. It irritates me. Yes, there is sexual content in my movies, and I have never been apologetic about doing bold scenes. But it's not fair to tag me this way because that can be very stifling.
A strong film director does leave you to your devices. A strong director allows you to be free and you trust that he's there and he will tell you if you've gone too far. A strong director allows you to be much more experimental and take greater chances than a director who isn't secure within himself.
I have played many cop roles in my career, and my effort is to make each role different.
For me, it's not like I am going to look at the money the director's film has made before their film... For me, it is about working with the director whose work I have admired.
I am all about breaking barriers and challenging myself, that is why everything I have done on my resume is different. I have never played a cop again, and I have never played a boxer again since I played Muhammad Ali. That was a challenge, being darker than him, and the film won Best Television Movie and I was a part of that. I was in Mississippi Burning, which won an Oscar.
I started my career with her. I was supposed to do my first film in Tamil in which she was the other heroine. The film was titled 'Vennira Aadai.' It was a love triangle, with Jayalalithaaji and I playing the hero's two love interests. But the director Sridhar removed me from the film after a few days' shooting.
I did a film about child abuse with the great producer-director Richard Donner, Radio Flyer. Again, I was replacing somebody, but Lorraine Bracco was in it, and they wanted me as the cop in the thing to fall in love with Lorraine, but I said I wouldn't. I mean, I'm a cop, and she's ignoring that her kids are being beaten up by their stepfather. And we had an argument... well, not an argument, but a discussion about it. I said, "I just don't feel right. It's like you're taking everything away from the reality of the movie. Aren't you kind of idealizing this a little bit?
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