A Quote by Emraan Hashmi

I was an assistant director for a year, and I realized, 'God, this is a lot of hard work. This is going to take time. So what's the shortcut? What's the better option?' Then thankfully, someone said, 'Why don't you become an actor?'
As a kid, I wanted to be an astronaut. And my own passion was that I wanted to be a film director. I realized that being an astronaut was not going to be an option, so I said, "Well, I'm going to be a director and do films in space."
When I look at my earlier work, I often wonder why I acted like that, why I wore that dress, why I said that dialogue... Why couldn't I do it better? I realized I was too young then and not confident.
Then I usually leave the choice of the second assistant director and any other assistant directors to the first assistant director, who will choose because he or she is responsible for the conduct and the efficiency of the second assistant directors.
A lot of people want a shortcut. I find the best shortcut is the long way, which is basically two words: work hard.
I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.
I tell young people - including my granddaughter - there is no shortcut in life. You have to take it one step at a time and work hard. And you have to give back.
I'm avoiding having an assistant because then I would become the horrible boss. I can't justify having an assistant as a 25-year-old; I just can't do it!
I'd like to work more as a director. It's distracting being an actor, because - there's a lot of reasons. You find out you're going to work about six months before you start shooting, and then there's prep and there's post afterward, and there's stuff to do, and then suddenly you've gone a year without directing. There's a part of me that has to not be tempted by that in order to commit more to the directing. Honestly, the big reason for me to act is to observe other directors and learn from them. That seems to be the biggest draw.
There always comes a moment where all the departments in a film need to work together. And if a director, his first assistant director, and cinematographer have a very clear vision, then everybody does work together.
When I wanted to become an actor, I was afraid to tell it to my parents. But once, my uncle Chiranjeevi said that I have qualities to become a hero. Then, for the first time, I told him that I wanted to be an actor. He said it to my parents, and everyone is happy about it.
I work three months really hard, nonstop, and then I take a month off. Then I do it all over again. I work hard but I give myself four breaks a year.
If you're going to define a shortcut, then make it the base [sic] darn shortcut you can.
I wanted to do journalism, as I was an idealist. Then, in my second year of journalism, I realized that in real life, things don't work the way you expect them to. I realized that I could express my ideas better through films.
Realistically, looks offer an advantage to an actor. I'm going to work hard to maintain my skin. I'm going to prevent aging as much as possible. And I will keep trying to become a better person on the inside as much as I spruce up the outside.
I only worked on that one movie, but then quickly realized that the path of being an assistant director was not gonna get me to producing. It's a different path coming up through production management and then line producing. So I basically was in the position where I was going to take any job that felt creative, like the one I got, which was reading scripts and writing coverage. So even though I was taking a job where I was making less money than the job immediately prior, it seemed like the right thing for me.
All I've done is work hard to get better and better every single year to become the best catcher I can be.
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