A Quote by Engelbert Humperdinck

When I'm performing, sometimes a lyric will touch on my personal life, and it can be difficult to sing. For instance, when I sing 'How I Love You,' I'll choke up. — © Engelbert Humperdinck
When I'm performing, sometimes a lyric will touch on my personal life, and it can be difficult to sing. For instance, when I sing 'How I Love You,' I'll choke up.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
Sometimes, if you begin to sing in a halfhearted mood, you can sing yourself up the ladder. Singing will often make the heart rise.
My advice to singers is always the same: 'Don't sing the song, sing the lyric.'
Some people can sing, and they can sing sing, but Brandy can not only sing sing, but she has a voice and a tone that is unlike any other.
Someone once asked me why people sing. I answered that they sing for many of the same reasons the birds sing. They sing for a mate, to claim their territory, or simply to give voice to the delight of being alive in the midst of a beautiful day. Perhaps more than the birds do, humans hold a grudge. They sing to complain of how grievously they have been wronged, and how to avoid it in the future. They sing to help themselves execute a job of work. They sing so the subsequent generations won’t forget what the current generation endured, or dreamed, or delighted in.
How can you sing a line like, 'I've fallen out of love' when you're 18? You need to experience something of life before you can sing it.
For me, music always leads. Lyrics are only about how they sing. It is wonderful if they read well, too. In the very best scenario, sometimes a lyric will pop out with a melody, simultaneously. That's a lovely thing, but you can't rely on that.
I'm a real stickler for a great lyric, or what I think is a great lyric. It's almost impossible for me to sing a song I don't love. My thing is: If it's a great lyric, you can do anything with the song.
I will sing whatever I'm given to sing. Growing up, I would sing anything that I was given. If the choir needed a first tenor, I would sing first tenor. If they needed a bass, I would sing bass. Throughout my life, I just figured out ways to hit notes I needed to hit.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
Even if you can't sing well, sing. Sing to yourself. Sing in the privacy of your home. But sing.
Music was my first love, but it was difficult for me. It's something that I really love, but I didn't feel that I was so good at it. I can sing well, but I'm not a great singer. When I sing, I don't feel I'm expressing all the emotions.
The most amazing thing is being onstage and watching the audience sing every song lyric for lyric.
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.'
I love to sing big rock and roll songs; I love to sing country-pop stuff, and then I love to sing soft, sadder beautiful songs.
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