A Quote by Enid Bagnold

The pleasure of one's effect on other people still exists in age - what's called making a hit. But the hit is much rarer and made of different stuff. — © Enid Bagnold
The pleasure of one's effect on other people still exists in age - what's called making a hit. But the hit is much rarer and made of different stuff.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
It is a different world, the underground. When you hit mainstream, you hit a saturation level and that turns some people off. When you are on more low-key stuff, it works to your advantage and it creates a buzz on the streets. At that point, the sky is the limit.
It's like, on my solo stuff, every single person who buys the record, gets it. On the other stuff, the masses... when you have a hit on the radio, not everyone's going to get it. They are going to buy it for the hit.
Boxing is the sweet science. You hit and not get hit. There's no reward for you to hit me more than I hit you other than on the scorecards.
I used to get made fun of in the minor leagues. I'd be 0 for 2, and then in my last at-bat I'd hit a chopper that wouldn't even reach the shortstop, and I'd get a hit out of it. The guys would be all over me, but a hit's a hit. I'll take 3,000 of 'em.
I wouldn't say I'm underrated, but more reserved. Only time will tell, but I've been good so far in being consistent and making hit after hit writing for myself and other artists, from rap to R&B, and being able to make those different records.
As I've gotten older, now I've really got to back that up with record sales. Anytime showed me that I could still have some of those elements I wanted, but you still have to come with hit after hit after hit.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
I don't do much. I'm too lazy. That's my problem. Hang around my couch, watching the TV. Just too lazy. I realized this the other day, I get hit my a truck tomorrow - a big truck could hit me - paralyze me from the neck down. Wouldn't effect my lifestyle a bit really.
It's a whole series of accidents that makes a show into a hit. A show can be fantastic and still not be a hit. You just have to hit the Zeitgeist at the right moment, and there are so many factors that you're not in control of.
You hit a guitar, you hit a note, you hit a drum, you hit an organ. Meat and potatoes. Simplicity. Not getting too caught up in little tweezers of perfection.
The charm of smoking a cigarette from the point of view of the people who smoked them, and I was one of those people for many, many years, is an amazing pleasure and a hit that some people say, and I've never done heroin, but some people say that it rivals the heroin hit, so there is that pleasure. The-it kills you the same way that heroin kills you.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
I don't really set personal goals for home runs or anything like that. However many I hit, I hit. If I'm making consistent contact and hitting the ball hard, then I will hit home runs.
There are a lot of shots in golf I can't hit, but I try to hit them anyway. The frustration is not there, because I'm still learning. But I really know how to do this. I'm not just hoping to get it where I want it... Let the other guys do it half-assed.
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