A Quote by Ennio Morricone
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
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We would also go to musicals. So Singing In the Rain, On the Town, and West Side Story. Especially West Side Story because played that a lot before VCRs, so that would be something that would be a big deal if it came on, you caught it. So that really started, my family was not in show business at all but really loved that kind of thing.
In high school, my first thing ever was I played Tony in 'West Side Story' when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved 'West Side Story' so much, and I somehow managed to get the role.
When I decided that I will become a music director, the first thing I wanted to do was to make songs for Vishesh Films as I used to love their musicals. I had eight to ten songs which I had made only for them and fortunately 'Sun Raha Hai' from that list was liked by them and it actually opened doors for me.
I'm not really a big musical fan. I enjoyed 'West Side Story' when it came out, but it gets a bit tired in the end.
I don't compare myself with Freida Pinto. She has come a long way. She does only films in the West. I am open to do both - Indian films and films from the West.
There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.
In terms of creativity, both are equally satisfying. Music album is for yourself, where you compose songs and stuff like that, and in films, you have a story, characters, and songs penned by someone else.
I got started as an actress doing musical theater, and I always loved 'Grease' and 'West Side Story,' and all those kind of movies.
In 1957, 'West Side Story' had introduced the musical to the reckless dark side of teen-age life; 'Bye Bye Birdie,' set in Sweet Apple, Ohio, where the citizens apparently dress mostly in chartreuse, mauve, orange, periwinkle, and turquoise, was a walk on the bright side.
In 1957, “West Side Story” had introduced the musical to the reckless dark side of teen-age life; “Bye Bye Birdie,” set in Sweet Apple, Ohio, where the citizens apparently dress mostly in chartreuse, mauve, orange, periwinkle, and turquoise, was a walk on the bright side.
So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.
'West Side Story' I used to watch all the time - I don't know why. Well, I do - it's a great movie. I love the music in it. I love the actors.
Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music.
Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music
Gary Sinise and I go the furthest back of the Steppenwolf people; we were both saved from academic mediocrity as sophomores by being cast in 'West Side Story' by this transformationally beautiful teacher named Barbara Patterson.
I actually love 'West Side Story.' I think it's an amazing film to watch.
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