A Quote by Enrique Iglesias

There hasn't been one moment in my career where I felt I didn't have any control over the creative aspects of my records. — © Enrique Iglesias
There hasn't been one moment in my career where I felt I didn't have any control over the creative aspects of my records.
I'm very proud of my records, but my most natural creative tendencies have been in live performing. There's a beautiful element to recording and making records, but I've always felt a little shy with it.
A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
In a cricket career, your life is in some ways controlled for you. You have no control over schedules, you have no control about where you want to play, you don't have control over that as a cricketer.
Control what you can control. Don't lose sleep worrying about things that you don't have control over because, at the end of the day, you still won't have any control over them.
I've never had anybody produce my records. I've always produced my own records. I've worked with a guy for a while who was an engineer who helped me produce records, but I've always made my own records. I'm a control fanatic. I've got to control everything.
One of the issues that has been an issue in how we deal with net migration up until now is that we haven't been able to have any control over freedom of movement from the European Union. We will have that control in the future once we leave the EU.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
When I ran WCW, I obviously had a lot of control over the business, but when I was in TNA, I had no control over anything other than creative.
I believe in creative control. No matter what anyone makes, they should have control over it.
That's a good thing for me. I own everything, I have 100% creative control, I own all my masters, everything. I'm blessed to be in that situation. If we sell some records, I think we'll just add to the historic pace that this has been going at.
The level of control, that's part of what's so appealing about filmmaking - you have so much control over what the reader, the viewer, is noticing from moment to moment. They can't do that boring boring boring thing as easily.
I made records in the past that are as traditional as any other country records that have been made, but at the same time the records have a contemporary slant on it too.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didn't read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
I just think that any person who wants music to be their career shouldn't focus on a record label. I have seen friends who sign to a label too early in their career, and they lost control over their music, and their releases were delayed or never put out.
Faith is a way of going within and creating a sense of control over one's life at any given moment.
Right before I got 'Sons of Anarchy,' I actually quit acting for 18 months and didnt read a single script, and I wrote a film. I felt like I needed to do something that I had control over, as an artist, and also just do something where I felt like I had some control over my life, as just a human, out in the world.
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