A Quote by Enzo Amore

I would say that my forte is cutting the line. My entire life's work is me having zero patience and not waiting in a line. — © Enzo Amore
I would say that my forte is cutting the line. My entire life's work is me having zero patience and not waiting in a line.
For me, most writing consists of siphoning out useless pre-story matter, cutting and cutting and cutting, what seems to be endless rewriting, and what is entailed in all that is patience, and waiting, and false starts, and dead ends, and really, in a way, nerve.
If you're impatient while waiting for the bus, tell yourself you're doing 'Bus waiting meditation.' If you're standing in a slow line at the drugstore, you're doing 'Waiting in line meditation.' Just saying these words makes me feel very spiritual and high-minded and wise.
[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.
As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
Bob Hope was totally regimented. I go in and say a line like, 'Hi Bob' and I'd have to do it five times, and then Bob would take me to the writers to say the line different ways. He wouldn't let me ad-lib.
This is the line of life, this is the line of growth, and this is the line of well-being in India - to follow the track of religion.
Some people demand a five-line capsule summary. Something you'd read in a magazine. They want you to say, 'This is the story of the duality of man and the duplicity of governments.' I hear people try to do it -- give the five-line summary -- but if a film has any substance or subtlety, whatever you say is never complete, it's usually wrong, and it's necessarily simplistic: truth is too multifaceted to be contained in a five-line summary. If the work is good, what you say about it is usually irrelevant.
In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.
I'd love to have a shoe line, or a sunglasses line, or a purse line. Who am I kidding, I'd like to have an everything line!
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
On the set you just have to listen very closely, listen to everyone around you, absorb everything and try to be what they want you to be with the little bitty line that you'd have to say. If it was a good line, it would be such fun to say it with vigor.
It is possible to combine a story line and plot line in the same work. Usually the storylines comes first, serving as a background to the plot line, but not always.
Then it was snack time, right in the middle of mass. Right out of nowhere, the priest would look down and say, 'Let's have some yum yums!' You would get in line - you would jump in the line - and you would go up and get the crouton O'Christ.
Then I place the blade next to the skine on my palm. A tingle arced across my scalp. The flood tipped up at me and my body spiraled away. Then I was on the ceiling looking down, waiting to see what would happen next. What happened next was thet a perfect, straight line of blood bloomed from under the blade.The line grow into a long, Fat bubbel, A lush crimson bubbel that got bigger and bigger. I watch from above, waiting to see how big it would get before it burst. when it did, I felt awesome. Satisfied, finally. Then exhausted.
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