A Quote by Eoin Colfer
Sounded like girls. Mixed feelings on that score. He didn't despise them with the same passion he used to. In fact, Benny suspected that there would come a time in the not-too-distant future when he might develop a mysterious interest in them.
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Most of the time when people work with an artist, they don't give them what they need for the future, they give them what their last album sounded like. So it's like, 'Oh, One Republic needs a song, why don't we send them 10 that sound like 'Apologize?'
Everybody has a story. It's like families. You might not know who they are, might have lost them, but they exist all the same. You might drift apart or you might turn your back on them, but you can't say you haven't got them. Same goes for stories.
I suspected that what happens in hotel rooms rarely lasts outside of them. I suspected that when something was a beginning and an ending at the same time, that meant it could only exist in the present.
Celebrations have now become too selfish and I don't like it. When I used to score I was happy to celebrate with my team-mates. Now when players score it is all about them.
I was having a lot of mixed feelings about the independent world as well as the label world. I feel like I've been in the game a long time, and you know, when it come to labels not seeing a fella being around the last five years, it's like, it's hard to convince them what I can do.
Before everything, I used to do this thing when I was upset-I used to take all my feelings and push them down inside me. It was like they were garbage and I was compacting it to get more in. I felt like I could keep pushing all my feelings down into my socks and I wouldn't have to worry about them. I don't think I do that anymore.
My oldest brother and my middle brother would always beat me up and take the ball from me. I used to cry a lot, so I used to come in here and get my dad. He used to be on my team, so he used to hold them down and let me score the basket.
My hapless peers with their lofty dreams--how I envy and despise them! I'm with the others, the even more hapless, who have no-one but themselves to whom they can tell their dreams and show what would be verses if they wrote them. I'm with those poor slobs who have no books to show, who have no literature beside their own soul, and who are suffocating to death due to the fact that they exist without having taken that mysterious, transcendental exam that makes one eligible to live.
Feelings come and feelings go. There is no need to fear them and no need to crave them. Be open to your feelings and experience them while they are here. Then be open to the feelings that will come next. Your feelings are a part of your experience. Yet no mere feeling, however intense it may seem, is your permanent reality.
We don't want to tell young girls and boys that the odds are stacked against them from the start. Instead, we could tell them that with passion, conviction, and determination we can build a better future. This future is possible by redesigning our economy to truly reward hard work rather than wealth.
one trouble with all the churches is that they have too many incurable saints in them, men and women who pray too much and do too little, who cannot forget their own selfish salvation enough to look after other people's without feeling their own spiritual pulse all the time they are doing it. Of late I've sometimes suspected that it is nearly as debilitating to stay in the church all the time as it would be to stay in a hospital all the time.
Quite often, and in fact more often, I would say, I'm struggling all the way through to think, "What is it I like about this? What is the personality of this thing I'm hearing that I like so much?" And it's nearly always a sort of mixed emotion, which is why I like it. It's something that I have mixed feelings about in the sense that it's both, say, placid and dangerous, or bitter and sweet, or dark and bright.
I used to have sort of mixed feelings about a producer whose only skills seemed to be going into the studio, schmoozing the artists and making them feel good. I can see now that in some cases, that's what you have to do because that's the only way you're going to get them to produce.
And the boys were all clean, their faces freshly and brutally shaved, their hair painstakingly gelled into exquisite apparent carelessness, with this electric feeling inside of them, which matched the feelings in the girls, that they were all ascending, moving into a future that could only improve them, and I wondered what it was like - the miracle, the stupidity of feeling that.
These all sounded really bad, but they turned out to be good. If they had sounded really good, there would have been too many people working on them.
I recommend allowing others the opportunity to fully express themselves before turning our attention to solutions or requests for relief. When we proceed too quickly to what people might be requesting, we may not convey our genuine interest in their feelings and needs; instead, they may get the impression that we're in a hurry to either be free of them or to fix their problem. Furthermore, an initial message is often like the tip of an iceberg; it may be followed by yet unexpressed, but related - and often more powerful - feelings.
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