A Quote by Eoin Colfer

Ma was using her for-company voice. Sweet on the outside but with an underlying death threat. — © Eoin Colfer
Ma was using her for-company voice. Sweet on the outside but with an underlying death threat.
I'ma stay consistent. I'ma deliver. And I'ma keep using my platform to uplift people who I feel got what it take or deserve it or just - you feel me?
When you are a part of a world that is within an enclosed system, the biggest threat is that the loss of contact with any voice from the outside - a point of reference that is different from you - becomes habitual. The loss of this reference makes the enclosed system seem perfect. I can still feel this kind of threat today, the voice that gives legitimacy to various kinds of enclosure.
You're beautiful this morning," Archer said, stopping before her, kissing her nose. "You're impossibly sweet in my shirt." That might be but she felt like death. She would gladly make the trade; how blissful it would be to feel impossibly sweet and look like death.
Will you stay with me ” she asked. Her voice was the thinnest whisper almost canceled out by a low groan of thunder.... Forever ” he whispered back. The sweet sound of his voice filled her up.
Sweet love! Sweet lines! Sweet life! Here is her hand, the agent of her heart; Here is her oath for love, her honour's pawn
Perhaps we need some outside, universal threat to make us recognize this common bond. I occasionally think how quickly our differences worldwide would vanish if we were facing an alien threat from outside this world.
...Night has chosen thee; thy death will be thy birth. Night calls to thee; harken to Her sweet voice. Your destiny awaits you at the House of Night.
It was like she was MADE of cake, light and pretty and decorated on the outside-with her sweet laugh and pink streak to her hair-but it was anyone's guess what was on the inside.
There is a kitsch of death. For example, death transformed into sweet sleep: The 'good night, sweet prince' of the last scene of Hamlet.
This world is a bitter tree, it has only two sweet nectar like fruits - one is soft voice and the other is company of gentlemen.
A good wife is heaven's last, best gift to man, - his gem of many virtues, his casket of jewels; her voice is sweet music, her smiles his brightest day, her kiss the guardian of his innocence, her arms the pale of his safety.
The city is loveliest when the sweet death racket begins. Her own life lived in defiance of nature, her electricity, her frigidaires, her soundproof walls, the glint of lacquered nails, the plumes that wave across the corrugated sky. Here in the coffin depths grow the everlasting flowers sent by telegraph.
Sweet is the breath of vernal shower,/ The bee's collected treasure sweet,/ Sweet music's melting fall, but sweeter yet/ The still small voice of gratitude.
Tyson charged at the Cyclops leader, Ma Gasket, her chain-mail dress spattered with mud and decorated with broken spears. She gawked at Tyson and started to say, “Who—?” 463/508 Tyson hit her in the head so hard, she spun in a circle and landed on her rump. “Bad Cyclops Lady!” he bell owed. “General Tyson says GO AWAY!” He hit her again, and Ma Gasket broke into dust.
Sweet is true love though given in vain, in vain; And sweet is death who puts an end to pain: I know not which is sweeter, no, not I. Love, art thou sweet? then bitter death must be: Love, thou art bitter; sweet is death to me. O Love, if death be sweeter, let me die. ... I fain would follow love, if that could be; I needs must follow death, who calls for me; Call and I follow, I follow! let me die.
Well, Ma, see... there's this girl." Silence. He checked to make sure the call hadn't been dropped. "You still there, Ma?" A sniffle. "You can't be crying already," he said. "I haven't told you anything about her yet." "It doesn't matter, Nick," his mother said through her tears. "Those are the three words I've been waiting thirty-four years to hear.
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