Every industrious man, in every lawful calling, is a useful man. And one principal reason why men are so often useless is that they neglect their own profession or calling, and divide and shift their attention among a multiplicity of objects and pursuits.
I've been interested in art and fashion for as long as I can remember because they are so visual. I am fascinated by the idea of visual creation from the ground up, which is a challenge in ballet when the audience has seen every show of yours, every other principal that you've shared a role with, and every different production.
Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.
In a sense, every tool is a machine--the hammer, the ax, and the chisel. And every machine is a tool. The real distinction is between one man using a tool with his hands and producing an object that shows at every stage the direction of his will and the impression of his personality; and a machine which is producing, without the intervention of a particular man, objects of a uniformity and precision that show no individual variation and have no personal charm. The problem is to decide whether the objects of machine production can possess the essential qualities of art.
San Francisco itself is art, above all literary art. Every block is a short story, every hill a novel. Every home a poem, every dweller within immortal. That is the whole truth.
Lord sanctify us. Oh! That Thy spirit might come and saturate every faculty, subdue every passion, and use every power of our nature for obedience to God.
It is a faculty of the human mind to become what it contemplates, and to act in unison with its object.
Every man is born with the faculty of reason and the faculty of speech, but why should he be able to speak before he has anything to say?
Every library answers a twofold need, which is often also a twofold obsession: that of conserving certain objects (books) and that of organizing them in certain ways
All that happens in the world of Nature or Man, - every war; every peace; every hour of prosperity; every hour of adversity; every election; every death ; every life; every success and every failure, - all change, - all permanence, - the perished leaf; the unutterable glory of stars, - all things speak truth to the thoughtful spirit.
I have found in every word a certain musical value, a melody in every thought, harmony in every feeling, and I have tried to interpret the same things with clear and simple words to those who used to listen to my music.
The knowledge of the nature of a horse is one of the first foundations of the art if riding it, and every horseman must make it his principal study.
Yours for the unshackled exercise of every faculty by every human being.
Art is the microscope of the mind, which sharpens the wit as the other does the sight; and converts every object into a little universe in itself. Art may be said to draw aside the veil from nature. To those who are perfectly unskilled in the practice, unimbued with the principles of art, most objects present only a confused mass.
The faculty of art is to change events; the faculty of science is to foresee them. The phenomena with which we deal are controlled by art; they are predicted by science.
Objects of every sort are materials for the new art: paint, food, chairs, electric and neon lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.