I suffer from bronchiectasis, an obstructive lung disease, and have a little osteoporosis, too.
One common mistake is to think that one reality is the reality. You must always be prepared to leave one reality for a greater one.
Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.
I've been working with the National Lung Health Education Program to raise awareness about Chronic Obstructive Pulmonary Disease.
Absolute power, as we have always known, corrupts absolutely; it corrupts because it does not do the trick for the individual. Reality always creeps in--the reality of our helplessness and our mortality; the reality that, despite our reach for the stars, a creaturely fate awaits us.
Skepticism is only a time-based reality, and as an ultimate reality, it's always wrong, because everything always happens.
Every call to worship is a call into the Real World.... I encounter such constant and widespread lying about reality each day and meet with such skilled and systematic distortion of the truth that I'm always in danger of losing my grip on reality. The reality, of course, is that God is sovereign and Christ is savior. The reality is that prayer is my mother tongue and the eucharist my basic food. The reality is that baptism, not Myers-Briggs, defines who I am.
My elaboration of the story always conforms to the reality at its source. It is always close to the world, the life, the reality it describes. No matter where I go, I’m still holding up a mirror.
The past exists only in our memories, the future only in our plans. The present is our only reality. The tree that you are aware of intellectually, because of that small time lag, is always in the past and therefore is always unreal. Any intellectually conceived object is always in the past and therefore unreal. Reality is always the moment of vision before the intellectualization takes place. There is no other reality.
When I make a film I'm always in reality among the trees, and among the people like yourselves. There's no symbolic or conventional filter between me and reality as there is in literature. The cinema is an explosion of my love for reality.
As ever with modern Britain, we are let down by a vast, over-manned, over-funded, hidebound, obstructive, box-ticking and incompetent bureaucracy.
Reality is cruel. All of the naivete is going to be removed. Reality is always changing, and it is always unpredictable. All of the balance is going to be destroyed.
Systems, scientific or philosophic, come and go. Each method of limited understanding is at length exhausted. In its prime each system is a triumphant success: in its decay it is an obstructive nuisance.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
I've never felt Truth was Beauty. Never. I've always felt that people can't take too much reality. I like being in Ingmar Bergman's world. Or in Louis Armstrong's world. Or in the world of the New York Knicks. Because it's not this world. You spend your whole life searching for a way out. You just get an overdose of reality, you know, and it's a terrible thing. I'm always fighting against reality.
There are lots of imposters in this earth, and to very first there always comes a second, to every reality there always come a fantasy, and the fantasy wants to come and live the life of the reality