A Quote by Eric Andre
I think part of it is the fact that they were kind of the first of its kind - there weren't a lot of cartoons for adults. People forget at the time that The Simpsons started out, it was controversial - the fact that they said "hell" and "damn" in a cartoon was a lot. America was in an uproar.
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People forget at the time that 'The Simpsons' started out, it was controversial - the fact that they said 'hell' and 'damn' in a cartoon was a lot. America was in an uproar.
I think some people forget sometimes I do have to go to the grocery store; I do enjoy going out to dinner. I have to get my oil changed from time to time. I do all the normal things. I cut my grass. People kind of forget that normal part, that we do a lot of the stuff that everybody else does, but we all have our talents, and mine is in football.
I think part of the bad thing is that skill is emphasized so much that a lot of people, by the time they get to Juilliard, well I think they kind of forget why they got into music in the first place and if they're performers - this is a simplification, but a lot of them are trying to win a competition and play more accurately, or better, or more beautifully, whatever can be measured, than somebody else.
Seeing Rush the first time was huge for me. That was my favorite band and I couldn't believe they were actually in the same building as me. I was totally freaking out when the show started and when they started to play it was almost like cartoon characters coming to life. I couldn't get my head around the fact that it was really them.
I think I was kind of melancholy as a kid. I spent a lot of time inside my own head, a lot of time sort of staring into space wondering the hell was going on.
There are a lot of stereotypes to be broken which I think a lot of us are doing. What I do is, as soon as people try to pin me down to one kind of part, I'll play a very different kind of role, so it explodes that stereotype.
Things do look pretty grim, but I think there are more laughs in Hellboy in Hell than there are in B.P.R.D.: Hell on Earth. I think Hell is getting nicer and Earth is getting worse. Once we figured out what we were doing, the whole point of the Hellboy/B.P.R.D. stuff has always been evolution. The kind of evolution we're seeing on Earth is nasty evolution - part of this kind of evolution is that you have to wipe out what was there before you can replace it.
Barry Crump wrote a lot of books and they were really special. They were kind of the quintessential, mild for the most part, kind of southern man, kind of the true heart of what it meant to be a Kiwi kind of farmer; very kind of outdoor man living off the land. That kind of thing, you don't see so much anymore these days with everyone being metrosexual and lattes and laptops.
Bill Cosby spoke out against The Simpsons and there was this kind of evangelical, right-wing sect that was against The Simpsons. Fox was a new network at the time, though, so they were going to take risks.
I had a lot of self-doubt when I started. And I still do. But I had a lot of the wrong kind of self-doubt when I first started making music and first started to tour. I think I was a little bit deferential.
Cartoons were very conservative. The country was very conservative. Although the liberals were allegedly in charge for a long time, there was a very acceptable balance what people would talk about in public. And I wanted to stretch those and move further out. And as the civil rights movement began, I started doing cartoons on that and on sit-ins and I was, along with Bill Mauldin, a great cartoonist out of World War II, arguably one of two white cartoonists doing this kind of work, Bill and me.
I suppose on the filmmaking side, you can learn how to cram a lot into a small space. But I think that advertising, even on what is called the creative side, is incredibly easy if you have that kind of mind. A lot of people regard it as Machiavellian and dangerous, but, in fact, it is morally neutral.
I've really come into my own as an artist. I'm much more sure of my identity and understand it much better, and have accepted the fact that I like to jump around a lot in terms of who I am and what kind of music I create, and that it is okay - in fact, that is my main identity, the fact that I do that.
The rock-star thing became very destructive, like, wow. I didn't know what I was doing. I just kind of became that thing. The hair, that rock-star kind of lifestyle, just living a dream. It kind of took over. It started out very innocent and then I turned into a cartoon character. And I started to feel like a cartoon character.
There are some people who are way too sensitive about things. If you're not using the vocabulary that's new that they've helped define, then you're not on their team, even though you want to be. And at the same time, the fact that our president Donald Trump said on record, "You could just grab women by the pussy," and a lot of people in America were like, "Yeah, it's fine, that's something that's said..." There are people that are not sensitive or aware enough about other people and what that means.
I think there's a whole book being written about it in the UK. I don't know if you can get it here. It's about all the hidden messages and meetings in this and the fact that it is about women and the fact that this cave is full of blood and all this kind of stuff. And when I was making it, I didn't make it with that specifically in mind, but I always had it in the back of mind and I thought, 'Let's just throw it in there and see what people make of it.' And people seem to be making quite a lot of it. So I don't want to spell it out or say this, that or the other.
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