A Quote by Eric Andre
Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'
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It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.
I did a lot of multi-cam shows when I first started coming out to L.A.
Not a lot of gay guys end up coming to alt-comedy-ish shows. They like all these '80s shimmer shows, or they like going to drag shows. It is always weird and interesting when I meet somebody at a gay bar who is familiar with my stuff.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They’re superficial and I like articulate comedy.
I feel like all comedy does require a lack of vanity, but multi-cam, especially.
There's reality shows and things like that and I think 'Parenthood's kind of a throwback to what we used to have back in the '70s, '80s and '90s. People want to see this again, and I feel like it's just a solid, good show.
There's reality shows and things like that and I think 'Parenthood''s kind of a throwback to what we used to have back in the '70s, '80s and '90s. People want to see this again, and I feel like it's just a solid, good show.
You'd think they could spit out shows better than 'Champs' and 'High Incident' with the pool of talent involved, unless they're just throwing money at people to create shows and they're not really behind them. I mean, the best thing they can do is 'Champs,' a half-hour comedy about men being stupid? People can just look around and see that.
Usually, comedy shows only influence other comedy shows. 'M*A*S*H' is one of the few comedies that influenced dramatic shows as well.
Random people, celebrities of note come to your shows over the years, and I've had some really strange ones. Like the guy from Kiss. Gene Simmons has literally been in the audience at my shows, like, four times. I don't know if he knows me; he's just a big fan of comedy.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
Half-hour comedy shows are like a play, one night a week.
My guilty pleasure is competitive cooking reality shows. I don't like cooking shows when it's just about cooking. It has to be competitive - they're fighting and yelling at each other. I am obsessed with those shows, and I have no idea why.
Speaking from personal experience, I watch zero shows when they air. The only shows I watch live are awards shows or sports. Shows like 'True Detective' and 'Game Of Thrones,' I watch every episode, but I don't watch them as they air, and I think that's becoming the case for people more.
The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy. I don't know how to do the other, so I won't consider television until the audience's taste changes.
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