A Quote by Eric Avery
I have always considered reunions to be a way to make a quick buck, and it sells short my own experience of it the first time around.
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To make a quick buck, but over time, if you're not creating value for others, customers, society, isn't going to let you be around.
Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using it, in some way, to give some relevance.
There's always people trying to do something to make a quick buck. But, if you plan on the long game, you can essentially guarantee success if you're willing to put in the work and if you surround yourself with the right team.
When I was a 25-year-old kid, I raised $260,000 for my first show, 'The Pajama Game,' in such a homemade, pathetic, endearing way - a buck here, a buck there.
The people I used to have around me from Nashville was showing love to the Cash Money clique on the strength of Buck trying to make it; making sure Buck gets to where he gots to go.
As a quick, tricky player, I've been told that I don't go down enough because I've always tried to stay on my feet or I don't win clever fouls around the box. But when you are quick, the fastest way to be stopped is by being fouled so it happens to me a lot, even if I don't always maximise the opportunity.
I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.
They call it a reunion for a reason. It's called bringing the original members back to what it was. So there's a lot of these things that they call reunions that aren't really reunions. They've got one dude from the band floating around in them, you know. That's not a true reunion. With Pantera, it'll never be possible.
If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.
For me, I know I am a trans activist and I try my best to stand up when the time is right, but at the same time, I don't always want to be considered transgender around my friends and people at my daughter's school. I just want to be considered a woman.
I make make music in my own time, messing around with beats and riffs I write. Always practicing performing in my room most times I probably look like an idiot dancing around haha.
You see something for the first time, you experience something for the first time, you feel something for the first time, it's much harder. I think that it's painful, but at the same time I think it should be the way to experience the world.
I have always been very obsessed with time. Time's passage makes us all very vulnerable and because we all experience it in our own way, it can make us feel very alone.
I call tennis the McDonald's of sport - you go in, they make a quick buck out of you, and you're out.
If Vin Scully calling a game is just as good in 2013 as he was in 1963, that's the way a game should sound. If Jack Buck were around today, I don't think anybody would ask him to change his style. My style has always been a little bit of a combination of old and new, if only because my frame of reference, personally, was different than that of Ernie Harwell or Jack Buck or Harry Caray. I was a younger guy. Just as Joe Buck's frame of reference is somewhat different from mine. But the nuts and bolts of how to call a ballgame well, I think remain the same.
In my experience, not just in shooting films but in the commercials I've done, initially, it's very exciting for the community, and its a real novelty. Very quickly, though, they realize there's a buck to be had, and it becomes annoying, and they lose their patience pretty quick.
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