A Quote by Eric Bailly
As a child I started working. Again I had luck with my father's help financially, but I also had to work. I had a programme after training in the afternoon in which I would go in front of my house to do various things and the phone boxes was something I did to earn some money.
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I had a very hard-working father and a very hard-working mother. My dad was someone that would get up at 5 in the morning and work 'til 4 in the afternoon and then had a hobby he made money with. After he'd get home, he'd have a meal and have a drink and then flow right into that, trying to provide.
I started out doing improvised voices when I started working in a program where I read for kids in schools. I had some kids and they asked me if I would mind doing it. I was very happy to do it. That's where I got my training before I went to the public. I did that for several years. It was actually the best vocal training I could have had.
I started out doing improvised voices when I started working in a program where I read for kids in schools. I had some kids and they asked me if I would mind doing it. I was very happy to do it. Thats where I got my training before I went to the public. I did that for several years. It was actually the best vocal training I could have had.
When I had no money, I would find out which friend had work and money at that point in time and would go and stay with him for a week. All of us theatre guys did that.
Of course there's some things that I would have liked to have... none of my friends growing up had their father in the house. None of 'em. We had uncles and stuff like that, but nobody had a father in the house, none of my friends.
My TV show had been cancelled; nothing else had gone anywhere; some alliances I had made petered out and nothing came of them and I was looking at a long, long year ahead of me in which there was no work on the horizon, the phone wasn't ringing. I had two kids, one of them a brand-new baby, and I didn't know if I would be able to keep my house.
I had an allowance, but I had to do things around the house to earn it. I think I always wanted my own money.
I had a job to take care of my parents, to take care of some bills at the house, because my daddy wasn't working. I had to figure out how to make that all work at one time. I was working at Boston Market... I told my coach, 'I can't play football because I have to make money to help my mom.'
I had a long-term relationship that failed. I had some health issues. When you dip down emotionally you can gather some things that help you when you do rise. If you go through it and you're OK, you can develop some scars that help you in the time after.
In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio, which was press-molded forms, plastic clay pressed into plaster forms to make small rectangular boxes and some vase forms, which he liked to make. These were molds which had been made to an original that he had modeled in solid clay, and during our work there, sometimes I would be pressing these forms as a means of production.
I studied English literature in the honors program, which means that you had to take courses in various centuries. You had to start with Old English, Middle English, and work your way toward the modern. I figured if I did that it would force me to read some of the things I might not read on my own.
I loved working with Malcolm [McDowell]. He's been such an important person in my life. I mean, not just as someone I was married to, which is huge, and the father of my children, which is even bigger, but also as a friend and an inspiration and somebody who probably helped to fuel something that all my reading as a child had already started, which was a love of England and the world of the theater over there, which I became involved with through him and probably because of him.
In those days I had various strong inclinations, for wine, gambling and cockfighting, and the society of gypsies, together with a passion for theological discussion which I had inherited from my father himself-all of which my father thought I had better rid myself of before I married.
When I started 70 odd years ago I was told that to be a success you've got to have talent, personality and luck. I've had 99.9 percent luck and the other miniscule percentage would be having had the luck to have a little bit of talent, being able to stand upright and that's it. It's all luck.
My dad was a mechanical engineer and a drummer. We had no money, but I never felt we had no money, and that's what I remember now, having my own child. I think, 'Oh so what?' Kids don't go around the house seeing what's wrong with it.
I'm a product of state schools. I had a working-class family. We had no books. I was the first to go to college. But I didn't really think about it, or about making money. I was just going to be an artist, and I've been fortunate. I've never had to work for anybody nor have I had to write for money. Maybe that's another reason that I've been able to be productive. I haven't had to use my writing to make a living.
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