A Quote by Eric Balfour
The minute you try to do something that is not true to you, is not something that you really know about, and is not a lifestyle or world that you live in or can relate to, it's going to come off as false.
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Honestly, as an athlete, you generally know. Your body talks to you. You know the difference between something that's hurting, sore vs. something that's going to hurt you in the long run if you try to go really push off or something.
The core of the film is usually something very emotional and something that feels really real that you can relate to, it's not like done in a false way. You know a lot of films will treat emotion falsely and you can sense that very quickly.
The broadcasting industry definitely has changed, and I'm talking about young broadcasters who come along today, they really feel like they have to do something that's outlandish to make them stand out. They have to say something provocative that maybe they don't even really truly believe in their heart and, it's not really what their beliefs are, but they're going to sacrifice their beliefs to try to do something to gain attention.
If you're going to be passionate about something, be passionate about learning. If you're going to fight something, fight for those in need. If you're going to question something, question authority. If you're going to lose something, lose your inhibitions. If you're going to gain something, gain respect and confidence. And if you're going to hate something, hate the false idea that you are not capable of your dreams.
Basketball's so much like life: if something's going great, you wait a minute, it will change. If something's going bad, you wait a minute, it will change. So I try to play things on such an even keel, knowing that things are going to change. You take the good with the bad; you don't get too excited, you don't get too down and sometimes that's the hardest thing in the world to do when you're in the midst of it, but that's the best way to handle it.
If you try to create something that everybody can relate to, you're gonna make something that nobody can relate to.
The stand-up really helped because you know the feeling when something feels true, and you know the feeling when it feels false. You don't ever want to give an actor the feeling of it being false, because you know how unfair that is.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
One of the great things about young entrepreneurs is that they don't know that something can't be done. So they try something that's so audacious and usually end up pulling it off.
'Don't Come to L.A.' is talking about how out-of-towners come to L.A., and they try to start claiming the culture, the lifestyle. And they're really not from it. That's really what's it's about.
I know something about the civilization of China, with my background, obviously, and I think I know something about American history. But that's about all. And I've traveled all over the world, and for a long time I didn't know very much about it, really.
Don't try to buy art as an investment. Buy something you really love because you're going to have to look at it again tomorrow. And an investment can go up or down. Buy something you really adore, you really like, and you want to live with. And if you decide some years later you don't want to live with it anymore, sell it. Get out.
The great thing about jamming is that you come in with zero preconceptions. Someone might want to play something that suggests something else to you, and the next thing you know you're on a 20-minute adventure.
There's always a fundamental misery that's with me that I always relate to some bit of loss or something. I don't know what it is about me, but even though I'm happy on the surface, there's something there, I guess. So, it all comes from wherever it comes from. I really don't know where that is.
Those ethical choices often are made every day at a time, minute by minute in ways that you may not even relate to ethics, so I'm going to walk them through the whole story from that perspective and hopefully they'll be able to walk away with something good from it.
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