A Quote by Eric Balfour
Nothing is worse for me, as an actor, than when I walk on a set and the director goes, "Okay, you're going to be standing here, the other person is going to be standing here, and you're going to move to there and then do the scene." That doesn't help actors.
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I think one of the things you have to be aware of as an actor is that if you come on the set and see the director standing there mouthing all the words while a scene is going on, that's usually a very bad sign because it means the director has already shot the scene in his head. He knows exactly the rhythm and the nuances that he wants delivered in the line and you're not going to dissuade him.
Every time I go in front of the camera, I have this fear of 'Oh my God, how am I going to tackle this? The director is going to say 'action' and I'm going to just keep standing there; I won't know what to do.' That's a constant fear I have as an actor.
Yes, I think it's okay to abandon the big, established, stuck tribe. It's okay to say to them, "You're not going where I need to go, and there's no way I'm going to persuade all of you to follow me. So rather than standing here watching the opportunities fade away, I'm heading off. I'm betting some of you, the best of you, will follow me.
I think there can be a misrepresentation of who I am a lot of times because I might be more quiet than other artists. I don't walk in the room going, "Here I am!" I'm going to be the guy standing in the corner taking everything in. I think that can be taken the wrong way, as if I'm not interested in what's going on around, but it's not really the case.
'The Machinist' changed me. I learned that I really enjoy, literally, not saying a damned word for days at a time, except for what was in the scene. Whole days of... nothing. Just... standing still. I know a lot of people found it bizarre, because they'd be standing right next to me thinking, 'Why aren't we talking? What's going on?'
I could be standing in the supermarket, and there is a person standing down the aisle, who is reading the back of a cornflakes box but everything about them is going "It's me! I'm the one you want! I am the necessary subject. This is it!"
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
You have a Republican House, close numbers in the Senate, a Democratic president. If we're going to move forward at all as a country, we're going to have to do it by standing together.
If you do something that's going to get somebody a job, then they'll be able to pay for their kid's school, and then their kid is going to be a doctor, and then that doctor is going to probably help who knows how many other people, so it's very motivating. Much more fun than going to the beach.
Maybe you'll take the cash out. So a credit card company or a bank that goes into the business of saying we're going to be the broker, we're going to sell you a mortgage that you're going to be able to pay off, we're going to help you reduce your credit card debt, we're going to help you save for retirement, we're going to put you into mutual funds that have low fees rather than high fees.
For Democrats to win, they're going to have to address the needs of working people. They're going to have to address the needs of the middle class. And that means standing up to Wall Street, standing up to the greed of corporate America. Even now and then, standing up to the media. And that means having a candidate who can excite working families, excite young people, bring them into the political process, create a large voter turnout.
I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
I miss that process of getting the script and reading it and working on it. Every actor has their own way of memorizing their lines, and the whole process of starting to work with the other actors and the director, and doing rehearsals, and going to the location, and going through wardrobe.
When you walk the significant land, the land speaks to you - even if it's 150 years later. You walk the earth and good things happen. There's always something to be said for going to a spot, even if there's nothing there. That's why you have a brain, your mind moves to other places when you're standing at an important spot.
All the actor does is, he tries to get as many takes as he can out of the director that day. So he can walk away and say to himself, "Hey, it's in there. I'm not going to edit it. I'm not going to make those choices. If they want to blow it, it's fine. But I've done all I can." You're right. I'm always amazed when actors bash films as if those grips and that cinematographer didn't work hard enough.
Then you’re going to stay in that net until eternity comes to pass. (Sin) Well, that’s really intelligent, isn’t it? What are you going to do? Put drinks on me or just use me as a conversation piece whenever friends come over? And let’s not even think about what’s going to happen when I need to use the restroom, shall we? I hope you have a standing order at Sofa Express. (Kat)
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