A Quote by Eric Bana

I loved working with him [Justin Chadwick]. He was very smart in how he assembled the people around him and had a crew that he knew very well. He was very comfortable on the set and I never felt that I was working with a first-time filmmaker.
I felt very comfortable working with Jr. NTR. We immediately broke the ice almost the first day. I always found him very down to earth.
Vatsal is mature and funny and working with him is a wonderful experience and when co-actors are good they help you with the role and he is very positive and it is very comfortable working with him.
I love Snoop. I worked with him on 'Old School,' and he's very accessible. He's very kind. He's always nice to everyone, to the crew. He's always got something positive to say. He's very childlike and loves to come and play. So, I had fun working with him.
My father was an inspiration to me; I made a few movies with him and I loved working with him. Everything about him - his whole approach to work, as well as his love, enthusiasm and respect for it and other people in the business - was inspiring. I was very lucky to have him as a role model.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
People ask me what it was like working with Jim Carrey. Well, I never really saw too much of him. I would talk to him on the set, but I was looking at a Grinch facade. It was his voice and all, but... Jim is amazing to watch in front of the camera. I learned a lot from him. He was also always very nice and generous to me.
Look at someone like Steve Jobs. His look wasn't very special - black turtleneck and jeans - but he had style. He looked the same, and you knew it was him when you saw him. Plus, he was a very smart person, which is also very attractive. His style was simple, not distracting, and very strong.
I wasn't always smart, I was actually very stupid in school [T]here was a boy who was very attractive who was even stupider than I was. And in order to ingratiate myself with this boy who was very beautiful, I began to do his homework for him – and that's how I became smart, I had to do all this work to just keep ahead of him a little bit, in order to help him. In a sense, all the rest of my life I've been trying to do intellectual things that would attract beautiful boys.
And as he drove on, the rainclouds dragged down the sky after him, for, though he did not know it, Rob McKenna was a Rain God. All he knew was that his working days were miserable and he had a succession of lousy holidays. All the clouds knew was that they loved him and wanted to be near him, to cherish him, and to water him.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
Chadwick Boseman work as an actor, I think, is truly remarkable, and I had a great time working with him.
Jon Krakauer had documented it very accurately and very well but this kid made a real impression on people, and likewise they on him. To talk to them was very moving in many cases because they talk about him like they saw him yesterday. In most cases they knew this kid for a couple of weeks in their whole life and he just lasted with them.
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.
Because the truth is, I do love him. I've loved him without ceasing. I've loved him since that very first day. I loved him even when I swore I didn't. I can't help it. I just do.
When I got onto set with him we were given a folder of storyboards. I thought that was pretty incredible because I hadn't worked with anybody who used storyboards before so he obviously had a very precise way as to how he visualized the film from the very beginning. It was every scene, but to his credit he was incredibly collaborative and gave us many opportunities to have our own input and to change things with him, so it was a really great way of working.
[John Hurt] just really gifted, and I had a great time working with him and [am] very lucky to have worked with him.
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