A Quote by Eric Bana
I'm realistic about it. It's been quite some years since I've worked full-time in that area, so I no longer have any material that bears any relevance to my life or the audience. I'd need to take probably a year off, which I wouldn't be prepared to do, so it's a romantic ideal.
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During the last 17 years... I have been working at the restoration of a once exhausted hillside. Its scars are now healed over, though still visible, and this year it has provided abundant pasture, more than in any year since we have owned it. But to make it as good as it is now has taken 17 years. If I had been a millionaire or if my family had been starving, it would still have taken 17 years. It can be better than it is now, but that will take longer. For it to live fully in its own responsibility, as it did before bad use ran it down, may take hundreds of years.
That kind of woman who used to be there at the time is not here any longer. In 10 years, people disappear. But I fantasize still about those kinds of women, and that kind of life that doesn't really exist any longer.
Over the years, many executives have said to me with pride: 'Boy, I worked so hard last year that I didn't take any vacation.' I always feel like responding, "You dummy. You mean to tell me you can take responsibility for an eighty-million-dollar project and you can't plan two weeks out of the year to have some fun?
I think I'm a full-time artist, a full-time urban planner, and a full-time preacher with an aspiration of no longer needing any of those titles. Rather, I'm trying to do what for some seems a very messy work or a complicated work.
It's not something that I can put on and take off anymore, like I said, I've had my years of confusion and wondering who I really (was) and why and how do I live my life and make sense of it all, but I'm not confused about that any longer. I think the world might be -- but I'm not.
I've been banking my holidays, which means I take time off later in the year. It makes it a lot easier to fit filming in; it can be quite challenging to study and film at the same time.
'Full House' was the first time I had ever been in front of a live audience. I said a line I had rehearsed with my mom, and they laughed. It was wild. To have that energy of the live audience was like, Whaaat? Feeding off that live audience was, to a 4 or 5 year old, a high.
It is certainly true that writers take a stance at some variance from organized religion. This has not always been true. But since the romantic movement - and I'm referring now exclusively to poetry - the emphasis has been on the individual imagination defined against, rather than in terms of, any orthodoxy.
We need some imaginative stimulus, some not impossible ideal such as may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine-work which is so large a part of life.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
I'm pretty faithful to one fragrance, but I go through phases. It's more about times and moods than moments in the week. In my life, I don't really have a Saturday and Sunday - you might get days off in the middle of the week and work on the weekend. I wear Roberto Cavalli all the time now. Fragrance is an extension of yourself, you need to feel like it's part of you and you can wear it in any situation and it just represents you, any time of the day, any time of the week, any time of the month.
What good is making a jewel if nobody see it? But cost depends on the story. To get those performances in 'Biutiful,' you need that time. You need 60 takes in a scene and a year to edit. It's not realistic to do it any other way.
Since I am no longer affiliated with any organization nor receiving any funding, I can speak quite frankly....As a scientist I remain skeptical.
At any given time, there might be someone who's eight years old or 80 years old in the audience. Some nights there are a lot of girls in the audience, some nights not. It's so unpredictable, but I like that.
It sometimes seems that we live as if we wonder when life is going to begin. It isn't always clear just what we are waiting for, but some of us sometimes persist in waiting so long that life slips by - finding us still waiting for something that has been going on all the time. . . . This is the life in which the work of this life is to be done. Today is as much a part of eternity as any day a thousand years ago or as will be any day a thousand years hence. This is it, whether we are thrilled or disappointed, busy or bored! This is life, and it is passing.
I've been on record since 2005 saying we need to find a way to eliminate the use of the pre-existing condition. The way to do that is really to get everyone in the insurance pool, and that way, we'll have people who need health services today, some who need it tomorrow, and some who won't need it for quite some time.
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