A Quote by Eric Benet

I treat every time I walk on the stage like it's the performance of my life. — © Eric Benet
I treat every time I walk on the stage like it's the performance of my life.
Growing up, I was so inspired by front men like Mick Jagger, Freddie Mercury, and Kurt Cobain - real showmen that put on 'a performance' every time they walk out on stage - so it's important for me to feel like I deliver that.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
I get nervous every time, for every single performance, before getting up on that stage.
No live performance can ever be perfect, and that's what keeps you on your toes - it pushes you to practice harder, show up for that 8 A.M. ballet class, and walk through the stage door every night just to have the chance to do it all again.
I offer my performance as prayer for someone I've worked with as an actor or someone who has died. The image that comes into my head as I walk to the stage, I offer that performance up for that person.
When I walk on stage, it's a release valve for me. Life is stressful anyway, so therefore, when I walk on stage, it releases all those stressful situations, and I feel good about myself.
I think certainly after every show I headline, I will be available to the fans. When I'm headlining a show, I don't walk off stage. I'll walk to the front of the stage and sign hats and shirts and tickets for 15 to 30 minutes, until everyone has everything signed.
I'm like a prize fighter. When I'm not on stage, every action that I take has to be focused on my next performance.
I pretty much give both barrels every time I walk on stage.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off.
You had actors that came from live theatre and it felt like you're doing a play. Every time we did a three or four minute walk-and-talk in the West Wing, the exhilaration of going on stage would be a part of it.
Before every performance, you need at least half an hour to focus on what you are about to do: the walk-on and walk-off, the lyrics, how you are going to sing it - like, the original or bring your own personal flavour to it - how are you going to make it the best.
You have to treat every hour of television you're given like a $100 million movie, and with 'A.D.,' we stepped it up even a stage further.
The performance on the stage has its reasons in the performance induced in thousands of separate minds and this second performance is no less prodigious than the first.
Life is rather like acting lessons while you are on stage giving a public performance!
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