A Quote by Eric Benet
I like to leave all of my soul on the stage where I perform.
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When you're on-stage, you're expected to perform in the bar business. You shake hands. You smile. You're all positive energy: you add to your environment. When you walk in the door to the back of the house, that's like a stage door. You're off-stage now.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
I'm a very private person, and when I leave the stage, I leave the stage.
I absolutely love being on stage. I live and breathe the stage, and nothing makes me happier, but to perform.
My desperation to be on the stage and perform was like a vocation, a religious calling.
To be honest, for me, my main workout is when I'm on stage. Even though I make pop music, I don't think I perform in the classic 'pop star' sort of way. I'm very active on stage; I always end up dripping in sweat afterwards. It's always like a full-on, wild performance, so that's pretty much like my exercise, I would say.
I like to perform live like we're all just hanging out in my living room. I'm totally casual and informal on stage.
I get butterflies in my stomach before I perform. I love them! They let me know I'm ready to perform, that I'm ready to rock out on stage.
I can't think of a better bonding experience than to be able to sit on stage and to watch your fellow performers perform on stage every night.
The big truth for men is that often we have to leave home in the first half of life before we can return home at a later stage and find our soul there.
I never leave anything behind. It's like a history, a chain, a line of life, you just have to move and make new steps, and keep it evolving - but my soul is my soul.
I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night.
I was always trying to perform, but never with some dream to be on the stage. The stage was wherever I was standing at the time. I was lucky that the department of education in Sydney had a program where you could try out for these ensembles - kind of like extra-curricular sports, but for little drama kids. I got into that system, and it took me right through high school.
I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.
Patience is probably the hardest thing I've had to learn in tryin' to love a girl. My lifestyle is very fast-paced; I'm always goin' somewhere, always on stage, and when I perform I perform at a high intensity. Sometimes I carry that energy off of the stage, into my private life. Sometimes I encounter girls who want me to take my time. When you're such a fast-paced, in the fast lane kinda guy, you don't really take the time that's necessary; you're like, "I want it now! If you can't give it to me now, well then." And from that, you end up losin' a lot of great people.
The boy reached through to the Soul of the World, and saw that it was part of the Soul of God. And he saw that the Soul of God was his own soul. And that he, a boy, could perform miracles.
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