A Quote by Eric Bentley
Geography is about maps, but biography is about chaps.
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The art of biography is different from geography. Geography is about maps, but biography is about chaps.
As it now stands, I Enoch appears to consist of the following five major divisions:
(1) The Book of the Watchers (chaps. 1-36);
(2) The Book of the Similitudes (chaps. 37-7l)-,
(3) The Book of Astronomical Writings (chaps. 72-82);
(4) The Book of Dream Visions (chaps. 83-90); and
(5) The Book of the Epistle of Enoch (chaps. 91-107).
Just as none of us is outside or beyond geography, none of us is completely free from the struggle over geography. That struggle is complex and interesting because it is not only about soldiers and cannons but also about ideas, about forms, about images and imaginings.
John Hall, my geography teacher at school inspired me to a lifelong interest in geography and a curiosity about our world which has stayed with me through my life. Geography is a living, breathing subject, constantly adapting itself to change. It is dynamic and relevant. For me geography is a great adventure with a purpose.
If geography is prose, maps are iconography.
I've always been fascinated with marine geography and how deep things are. I was spellbound by the tsunami, for example, by the actual maps. There is just something about the unseen bottom of the sea that has always fascinated me, how deep is it.
My first kiss was in the geography room, where you put all the maps. I actually don't know how to say it in English.
There is no need to upset about the fact that our ancestors were monkeys, because they are capable chaps! Don't be sad about the truth, just understand the truth!
Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
Every novel is a biography. Well, then, this is a novel [The Paper Men] which is a biography that is pretending to be an autobiography. That's what you could say about it.
The world's geography is not realistic. Geography is not real. Borders are only closed to people but they are open to products. There is another type of geography outside of this matrix. Because of this we noticed we were talking about much more than just Latin America. That was very important to put the film on another level. Based on this idea, we knew that we were not in this world any longer.
They were maps that lived, maps that one could study, frown over, and add to; maps, in short, that really meant something.
I resolve to venture into the city on my own. I look at maps in the library—subway maps, bus maps, and regular maps—and try to memorize them. I’m afraid of getting lost; no, I’m afraid of sinking into the city as in a quicksand, afraid of getting sucked into something I can never escape.
I discovered in writing the biography of Bill Clinton that it is actually easier to write a biography of someone who is dead. Although you can't interview them, you have a fuller perspective on their whole life after they're gone and people are more willing to talk about them.
Memoirs give the knowledge about the author and his environment. They are different from biography. Memoirs do not get ahead, and the man who writes a biography looks at his future like at a very simple thing.
The romantic element is what the story Essential Maps for the Lost, sort of sits on, but all the stuff below the surface is really about family. It's about the baggage we bring, both the good and the hard stuff in that baggage. It's more about the other relationships. It's about mothers and fathers and sisters and dogs, all of the pieces. It's really more about - yes, love, in its widest usage.
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