A Quote by Eric Betzig
Sometimes I make an analogy that each scientific paper is like putting out another record. And some people have careers that are nothing but a one-hit wonder. And then there are people who are only appreciated by aficionados but largely forgotten by the wider community.
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My view is that "A Small Oak Tree Runs Red" is about putting people 'on the record,' who otherwise would have been forgotten, as a result of their bravery and love for one another. These characters demand justice, and they got punished for it. If we can correct that record in our artistic expression, in a poetic form such as this play, then that is our entire purpose and greatest benefit.
You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.
I love putting two things next to each other that don't necessarily belong, because then there's sort of a third atmosphere, a third space that is created depending on who the reader is. Some people will immediately make the links between who's in each section and see exactly what's going on and some people won't. And I don't think that matters at all.
Stop trying to figure it out. I love puzzles, but when I'm done putting together a puzzle, I feel accomplished, and then I wonder, "What's next?" Then I go start another puzzle. Life is a puzzle that I feel like we'll never fully put together. And I like that because, ultimately, I don't want to have life figured out and then wonder, "What's next?" That seems scary to me.
I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another. It's not that they all get along, or that there aren't bad people or people we make fun of. But at the core, there's a kind of sweetness.
Sometimes I have wished my insults were slaps or lashes; I've wanted to hit people in the face and make them see, if only for a day, what I see each day I help people.
And a lot of poetry is putting yourself back into the state of wonder that you have before things when you're a child. It's not only a joyous wonder, it's sometimes a grief stricken wonder.
When I wrote 'Marvin Gaye,' my whole intention was to make a record that people would put on a record player... and just instantly make out with each other.
Often, some people dress something up to make it sound scientific, use scientific words, call themselves doctor something-or-other, and then you look them up, and they're trying to make it sound like something it's not. There's this entire field that's adding the word 'quantum' to everything. It doesn't even make sense in that context.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
I never want to record something that I'm not proud of just because I think it might be a big hit. There's no positive about that because if you record a song you hate and it's a big hit, then you're singing a song every night that you hate. And if you record a song that you hate and it isn't a hit, then you sold out for no reason.
Some people are diplomatic, some people are outspoken, but the next generation is very clear. People are speaking their mind out. People are worried about other things besides their own careers. It's not accurate to say that they don't speak out.
Some record labels want to package you in a certain way and we didn't want that. Once the record company saw we had some substance and were not a one hit wonder. They got 100% behind us.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
To reason from analogy is often dangerous, but to illustrate by a fanciful analogy is sometimes a means by which we light an idea, as it were, into the understanding of another.
I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people.
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