A Quote by Eric Bischoff
When I came out for the 25th anniversary of Raw, I got a great reaction, and it made me feel very good, but as amazing a moment as that was, I know, after two months, fans would want to move on.
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Peter Jackson was very good to me after I made my first film, he was really one of the best things that happened after that movie. I was invited to New Zealand to go hang out with him on 'The Hobbit', and so for two weeks I got to sit next to him and watch him direct, and it was the most amazing experience you could ever have.
I had a great deal of pressure to move to LA after Romancing the Stone came out and I'd become very popular. But people came to me anyway.
It’s amazing how lonely you can feel and like nobody understands…The moment you are vulnerable, someone always reaches out….They go through the same things. I want them to feel comfortable knowing that I have flaws as wells. I want them to know those flaws. I’m afraid of the pedestal…I want to be a peer to my fans
Four months after we released 'I Don't Want to Be Funny Anymore,' the album came out on EggHunt. Three months after that, we officially signed with Matador. That's not a very long time: half a year between the first flood and the final signing.
I think racing in Mexico will prove to be a great move for our sport in the future. The reaction we received from the fans last year was outstanding. The fans were unbelievable, and I expect the same reaction this year.
I'm glad that my parents missed one thing that was really unbelievable. They saw me hit this great success. It was a blast and we had a lot of laughs. And it was just an amazing time. They passed away. And then after I got, you know, famous, all these haters came out of nowhere.
They say it's good but I didn't know what I was doing until I got into the suit and they put the moustache on me, and somehow, when I got all the drag on, it came out. It was the most amazing thing. I'm truly extraordinary.
I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
Fashion to me is very emotional. It's my strongest form of self-expression, and I love wearing a piece of clothing where I feel like I can run around at any moment and dance in it. So you know, I guess when I'm designing, I want the clothes to feel celebratory and feel very light and fun and feel like you could move seamlessly.
Usually, you can live very well for two, three months, then you're in trouble. Every coach, I think, is like this. For two months, you're happy because you have time, and after two months, you miss adrenaline.
A tournament pays me to show up because the fans want to see me and I move the needle at the box office? That's amazing. It's good for tennis, good for me and good for the event. If a sponsor wants to pay to put their company name on my shirt because they think I'm a strong ambassador for their brand? Heck yes.
In the beginning, it was odd to have so much attention brought to my body type. I thought, "Uh-oh, brace yourself." But everyone has been so positive. During the first season, a woman came up to me at dinner and said, "I just want to thank you - watching you has made me proud of my body." I thought, What an amazing thing for someone to say! To make anyone feel good about themselves makes me feel good.
I was baking cakes for a gourmet shop and put two chocolate cakes in oven to bake and when I opened the oven an hour later, they were raw - the oven wasn't working. I didn't know what to do. I couldn't borrow an oven and I didn't want to waste the batter, so I came up with the idea of steaming them and they came out great! Thick and fudgy, like pudding cake. That happy accident was always in the back of mind.
It's tough, as Chelsea's a very special place for me, and I've always had a great relationship with the fans, but it became very obvious that I was not in the manager's plans. I have achieved great things there, but I just needed to play football, and that's why I got the move to Fenerbahce.
Blind audition format is what make our show unique and gives it so much more integrity. After all, the show is called The Voice. It's about vocals, and you have to stand out to get the attention of these four, Grammy-winning superstars who have an amazing ear and know what they're talking about. They rely on their ear as well as the reaction of fans in the audience to figure out whether that contestant is worth pressing that red button for. It's a great concept which keeps everybody on the edge of their seat.
One day I got to meet him because he was teaching Broadway dance. It was a little after Tap came out and he was very young. He wouldn't remember me, but it was quite amazing. And now I've met him as an adult!
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