A Quote by Eric Bischoff
One of the reasons wrestling works is because it allows people to suspend their disbelief. They may know it's not real, but if it's done well enough, they get sucked into it emotionally. And that's why they watch.
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People go into that arena, and they know the fix is in. They know what pro wrestling or sports entertainment is. That being said, they want it executed to the highest level so that they can suspend their disbelief and buy in, and so, in a world of make believe, you make people believe in you. It's as real as it can be.
When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.
I think we need to make documentaries about fantasy and storytelling. I think I just started to scratch the surface of a method that allows us to do that. We want to be sucked into the events, suspend our disbelief and imagine that this is a fiction, but actually putting onscreen the gap between who the people are and who they want to be and therefore opening the question about why they want to be this person.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief.
Getting the player emotionally involved is the holy grail. We try to make players forget they're playing a game. We want them to live the experience and suspend disbelief.
So this show [Cosmos] does not only operate on you intellectually, because telling you stories of how science works and why it works and what was discovered and why it matters, but combines that with stunning visualizations of the cosmos. This has the chance of affecting you intellectually and emotionally, and as well as even spiritually, because the wonder and awe of the universe are especially potent when presented in this way."
It's absurd to think of 'Pride and Prejudice,' this classic, beloved book, beset with a zombie uprising. The goal is to make you suspend your disbelief enough to allow you to get lost in the story and believe what you're reading for a while.
No one thinks Las Vegas is real; it is illusion, but visitors willingly suspend disbelief and pretend.
The story of my life has been of public interest, which is why I've been so passionate about having a private identity. When I step into a character, people have to be able to suspend their disbelief; they have to be able to divorce me from Hermiona. And not having everyone know every single intimate detail of my entire life is part of me trying to protect my ability to do my job well.
Some people love magic for the right reasons: They love to experience wonder. They don't want to know how it works. In this day and age, we know how everything works. We can Google anything and the answer is never really far away. Magic is a break from that where you get to enjoy mystery. And then there's the people who watch the trick but don't want to enjoy it because they want to figure it out and they feel like I'm challenging their intelligence, which I'm not doing. Those people are hell-bent on not enjoying magic and probably not enjoying their lives either.
Growing up watching WWE, they used to have bra-and-panties matches or pillow fights, and that's why my mom didn't want me to watch wrestling. But when my parents divorced, I was able to watch wrestling again, and that's when I started to really get into wrestlers like Ivory.
I know when I watch certain actors or if I watch Thom Yorke sing on stage, I'm affected by it emotionally. I guess that's what we are all striving for in art but that's such a beautiful thing that happens between two people that may never even meet. So when you do get to meet someone who was affected in that way, it's awesome.
In listening to stories we tend to suspend disbelief in order to be entertained, whereas in evaluating statistics we generally have an opposite inclination to suspend belief in order not to be beguiled.
We need to talk to voters in large enough numbers and we need to have conversations that are probing and sustained enough that we understand where they're coming from because nothing is nonsensical. You know, in a democracy, in an election, in an electorate there's a reason why things are happening and it's incumbent upon us to delve deep enough to get at those reasons.
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