A Quote by Eric Bischoff

I've always believed that the audience and the energy that the audience creates is sometimes just as important as the action inside of the ring. — © Eric Bischoff
I've always believed that the audience and the energy that the audience creates is sometimes just as important as the action inside of the ring.
Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.
A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.
I've always believed that a dance evening energizes an audience, that an audience goes out feeling chemically stronger and more optimistic. This is what I understand about dance. And this is an important thing. We need this. Our culture needs it.
Comedy can be more difficult than drama. It requires more attention to timing. In the theater, you're always dependent on the audience for the energy, but in comedy the feedback you get is more important. You can judge by the quickness and the length of the laugh just where you stand with the audience.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
I always want the audience to identify with my character in some way. I mean, sometimes you'll get characters that aren't very identifiable. Sometimes you can't relate to your character at all. I think it's important to keep the audience interested. But the best advice that I've gotten is to live in the moment.
On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!
The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.
If the audience likes and appreciates a move, it gives the wrestlers in a ring a little bit of extra energy, and you can always use that.
I had no godfather/godmother/filmi family backing me, but I made it only because I just believed in my talent, and my audience reposed their faith in me. So, I always say that my godfather in B-town has been my audience. Without them, I would be nowhere.
Sometimes critics disagree with the audience, and that's fine. I make movies for the audience. I guess I hope that the critics like it, but on the other hand, I just really want the audience to like it.
I don't feel I'm fighting to reach this huge audience; it just happens. I go on stage before the audience arrives and look out to this vast empty house. There's something therapeutic about taking in the ring where you'll perform.
There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.
I’ve always believed that the way you affect your audience is more important than how many of them are there.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
Sometimes you don't know what you've got until you put it in front of an audience - and the enthusiasm for the show from the audience has been just incredible.
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