A Quote by Eric Bischoff

I never got close to the creative in AWA; not only was I not close to it, I wasn't allowed to be in a room close to it when they were talking about creative. That is how tightly held Verne Gagne believed in kayfabing people who he didn't believe needed to be in the process.
At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.
You're afraid to be close to women. Because it's not masculine to be close to women. The last time you were close to a woman, you were a child.
Kosovo is too close to Europe. It is not only close to Albania, it is close to Greece, Italy, Germany and Switzerland, where there are still many Kosovo refugees. Spontaneous reactions could multiply.
The Church's challenge is staying close to the people, close to the people of the United States, not being a detached Church from the people but close to them, close, close, and this is something that the Church in the United States has understood and understood well.
Don't tense up no matter what, for you only close off creative power when you do.
The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
The most sublime truth of all has never been stated or written or sung. Not because it is far away and can not be reached, but because it is so intimately close, closer than anything that can be spoken. It is alive as the stillness in the core of your being, too close to be described, too close to be objectified, too close to be known in the usual way of knowledge. The truth of who you are is yours already. It is already present.
If you deal with every customer in the same way, you will only close 25 to 30 percent of your contacts, because you will only close one personality type. But if you learn how to effectively work with all four personality types, you can conceivably close 100 percent of your contacts.
I was definitely incredibly close to my dad, in a way that was all-encompassing. I am close to my mum, too, but there were areas that she and I did not share. So his loss to me was huge, personally and professionally. He believed in me, not just as a father, but as a director, and that always meant a lot.
Tony Benn and I were very close, very close friends for 30, 40 years. We talked to each other a great deal, and we were great friends. And I was with him shortly before he died, talking about prospects of the world and prospects for peace. And I'm very sad that he's gone.
The so-called Church Fathers are not some theologians as we know them nowadays. They were close to the teaching of the Apostles conveying the teaching of those who were close to Jesus. Their theology and wisdom is close to everyday life. We have to thank John Michael Talbot that he has been able to unearth the treasures of those times. This was only possible because he himself in his community experiences the Gospel lived out in our times.
I'm not interested in playing the field and all that stuff because frankly I'm not into frivolous relationships. I've got a couple close relationships with friends, a close relationship with my family, and a close relationship with my guitar. I'll know if the right person comes along, and whatever then - cool - but it's not something I'm seeking out at the moment.
Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.
Both of them are close to how I'd envisioned them. In Ico's case the design and in SotC's the visual look were very close to what I'd imagined.
Media were never allowed into an Australian dressing room until I became skipper. I changed that and invited them in at the close of play each day, thereby confirming for many administrators they had appointed a madman as captain.
What was unique about me being in City Hall during the Giuliani Administration, I was the only one who wasn't an attorney. I may have been the only one who didn't work in a prosecutor's office. So I took a completely different point of view on how the city should be run. Very close to a business, very close on metrics and numbers.
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