A Quote by Eric Bledsoe

I was always in so much of a hurry when I was playing a backup role - just doing everything. — © Eric Bledsoe
I was always in so much of a hurry when I was playing a backup role - just doing everything.
I always went school with a backup plan. Everything I did was a backup plan because I never was the most talented guy. I wasn't, you know, the superstar at all.
I have to buy three of everything. It doesn't make any sense, but I have to. I'm worried I might lose it, and if I lose it, then I have a backup and then I have a backup to my backup.
For me, it's more about the musicianship - focusing on the guitar, playing with my band, rather than just going out and doing what anyone my age can do with backup dancers and a track.
Even if you're in a backup role, you've always got to prepare yourself.
Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
I guess I would just say that in general, one of my weaknesses is that I love everything. There's too much of everything to keep up with it all. I get bored with Silicon Valley technology a lot. I've always had much more of a draw to the people who are doing things for love than the people who are doing things for money.
I'm always playing a role, whether it's the role of the mayor, the role of a news anchor, or a role of a crazy talk-show host. But there was a specific function. 'On Dancing With The Stars', I had nothing to do but be me, schlepping around the floor. And when I host 'America's Got Talent', that's really me just talking to regular folks.
Not everyone gets to have one of the few super-dominant, all-pro, superstars in this league, and so playing with the pass and playing with space and playing quick is a really good backup.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
I compose, produce, arrange - I don't just perform. I'm playing keyboards, playing bass, doing everything.
I've always thought of myself as a role model even before being a 'celebrity.' I've always been doing charity work and volunteering in the community since I was 8, so when you do that, I think you just assume that role when you put yourself out there.
One of the main things I take away is just the way the boys approach the game and carry on. You are in the dressing room and it is very much just about getting in and doing as well as you can, putting everything you can and having fun. There is no underlying context to it other than just playing the game.
It's just too much if you make your career everything. It is everything when you're doing it. But you have to find things you love just as much.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace. So, it's about adjusting to the pace. It's not meant for everybody.
I was OK in school, but I always missed a lot because I was playing so much. But if I'd stuck at it I imagine that I'd be doing something financial or economical. Finance always attracted me, even though maths was always a bit of a love-hate relationship. I would have tried playing football, but I don't think I'd have made it.
I was OK in school, but I always missed a lot because I was playing so much. But if I'd stuck at it, I imagine that I'd be doing something financial or economical. Finance always attracted me, even though maths was always a bit of a love-hate relationship. I would have tried playing football, but I don't think I'd have made it.
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