A Quote by Eric Bledsoe
As a kid, you don't know what's going on at the time. But once you get older, you start to realize it.
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Kid problems are when you're bummed because girls don't like you or something silly, but then you get older and people start dying and going broke and whatever. People get sick. When you get older these things just happen.
For me, it was just a case of seeing what stage I could actually get to. For every kid it's the same, you don't know how far you can go until you get a bit older and things start to become a reality.
From an acting standpoint, when I was a kid, I thought I knew everything there was to know. As the years go by, this craft becomes more intensive as I get older. You realize how much more there is to know and to learn, and how much better you can get, if you really work at it.
When you're a kid, nine times out of 10, everthing is pure depending on how you grow up. Everything is new as a kid, so it's all amazing and wonderful. But as we get older, things start to lose their luster or possibly their relevance. Things don't mean as much as they did then. I know the feeling.
When I was in my early twenties, I fell in love at least 20 times a day. You have to be with someone where you think: if the world was full of people like you, I could not be monogamous. As you get older, you get to know yourself a little more. The older you get, the more you realize what you need. And you also realize how your choice in relationships is influenced by how you grew up. Now I feel like I've explored the dynamic of how I grew up, and I'm free to find someone who's really going to be a wonderful companion.
I was very much a tomboy for a long time, but as I start to get older, I realize I better actually try to preserve what I have and I better be a little conscientious about my regime.
I think as you get older, you realize there's always going to be critics. Critics are going to win every time because they can change their critique based on the stats and their own personal feelings.
Everybody knows a guillotine choke, and most know how to get to one. But if you can create a different way to get to that choke, then you're going to surprise people. However, that will only happen one time, because once it gets used that one time, everyone will see that and start to train for it.
I always keep some form of cartoon or comic book with me, especially Batman - he's my favorite. The reason I keep them around is that it keeps the kid in me alive. Some older folks, they like to drink - can't wait to get old. Me? I like to stay young. I know I'm going to be get older, but I can at least be young at heart so I read these comic books so I keep myself right on that level of kid to keep me having fun on stage.
But for everyone, I think, there is always a pressure to conform, and I guess as you get older you realize it's less interesting to do that. It starts with you, though, saying, 'I know what I like doing and that's what I'm going to do.
But for everyone, I think, there is always a pressure to conform, and I guess as you get older you realize it's less interesting to do that. It starts with you, though, saying, 'I know what I like doing and that's what I'm going to do.'
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
If you ask a kid what their dreams are, they will give you a list that is as long as I am tall. Once you get older that list gets shorter and shorter, so dreams shrink. I think dreams should grow as you get older.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
I start out giving characters archetypes and parameters. Once I know the basics and have a rudimentary model, it's easier to carve unique curves and edges. It's quite easy to guess how a character is going to react if you know their background, and at a certain point, you realize you understand them personally.
I still get excited by the same clothes I did when I first started going to vintage shops. But I think as I get older, I realize how much nicer it is to have 10 great outfits rather than 1000 tops and dresses that are all in a pile I cry in every time I get ready to go out.
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